Before and during the open era, Rod Laver remains the only male player in history to have won the calendar year Grand Slam twice in 1962 and 1969  and also the calendar year Professional Grand Slam in 1967. More recently Björn Borg and Pete Sampras were regarded by many of their contemporaries as among the greatest ever. Andre Agassi, the first of two male players in history to have achieved a Career Golden Slam in singles tennis (followed by Rafael Nadal), has been called the best service returner in the history of the game. He is the first man to win grand slams on all modern surfaces (previous holders of all grand slam tournaments played in an era of grass and clay only), and is regarded by a number of critics and fellow players to be among the greatest players of all time. However it must be noted that both Rod Laver and Ken Rosewall also won major Pro Slam tournaments on all three surfaces (grass, clay, wood) Rosewall in 1963 and Laver in 1967.
A tennis match is composed of points, games, and sets. A set consists of a number of games (a minimum of six), which in turn each consist of points. A set is won by the first side to win 6 games, with a margin of at least 2 games over the other side (e.g. 6–3 or 7–5). If the set is tied at six games each, a tie-break is usually played to decide the set. A match is won when a player or a doubles team has won the majority of the prescribed number of sets. Matches employ either a best-of-three (first to two sets wins) or best-of-five (first to three sets wins) set format. The best-of-five set format is usually only used in the men's singles or doubles matches at Grand Slam and Davis Cup matches.
Play all your practice games in sets. Tennis is played in sets--you don’t just play one game and then go home! Sets consist of at least six games. The set doesn’t end until one player wins six games and has a margin of two wins over their opponent. For example, if one player has won six games and the other has won five, they’ll have to keep playing until the winner has two more wins than the loser.
To ensure a winning installation, your backyard tennis court project should adhere to the playbook of good slab construction. ASBA offers detailed construction guidelines for both reinforced concrete and post-tensioned sport court surfaces, including recommendations for site preparation, subsurface and surface drainage, and concrete proportioning and mixing.
Here is a great racquet from a very reputable tennis equipment manufacturer. Wilson is a well-known name when it comes to quality tennis products, to say the least, and this good racquet does not disappoint. It features such things as grippy string technology that quickly dampens the energy of the ball as it strikes the racket so you can get better spin on your return shots. It is also ultra-lightweight and has a new class paint finish that gives it some style.
Never let it be said that tennis is not a manly game. Sure, there isn’t a lot of bone crunching going on, but there is Maria Sharapova and Daniela Hantuchova grunting and groaning the day away, which you can’t beat no matter how nice your stick is. Long maligned as a game for pale hemophiliacs in white shorts, tennis has come back in a big way and if you aren’t ready to play with some knowledge of the game and a good tennis racket you’re going to miss the bus. That’s why we’re here.
If you find reading boring then you can try watching free instructional videos on the internet. The best part about these videos is that it is made by tennis pros who are passionate about teaching tennis, so you won’t find the videos hard to understand. Between reading and watching the instructional videos, you will pick up important details about tennis on your own.
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There is nothing that says you cannot look good when you play the game of tennis and that includes having a stylish tennis racquet that accentuates your attire. It is probably not something that you want to be a major factor in your purchasing decision but if you have narrowed your choices down to 2 or 3 similar racquets it can be used as the deciding factor.
Van Alen called his innovation a "tiebreaker", and he actually proposed two different kinds or versions of it: best-five-of-nine-points tiebreaker and best-seven-of-12-points tiebreaker. The first lasts a maximum of 9 points, and awards victory in the set to whichever player or team first reaches 5 points – even if the other player or team already has 4; the margin of victory can be a single point. Because this "9-point" tiebreaker must end after a maximum of 9 points, even if neither player or team has a 2-point (or greater) margin, Van Alen also called it a "sudden-death tiebreaker" (If and when the score reached four points all, both players faced simultaneous set point and/or match point.). This type of tiebreaker had its Grand Slam debut at 1970 US Open and was employed there until 1974. Apart from being used for 5 years at US Open it was also used 1 year at Wimbledon and for a while on the Virginia Slims circuit and in American Colleges.
Kirill is no longer a club pro full time. He has begun working in commercial real estate at an office in Manhattan, limiting his coaching to the weekends and a few nights a week. I meet him once in a while for lunch or dinner, and one night last month at the Oyster Bar, he was explaining to me how the cold calls he made to potential customers as he tried to get their business was a lot like tennis — how, when you are playing a new opponent, you have to feel him out, and how ultimately it is up to you to control the exchange as best you can and come away a winner. Most of all, he emphasized, you can never lose confidence.
It is all based on how comfortable you are with the racket. If the racket works well with you, it is a good one. Are you hitting too many frames? Too many nets? Too many outs? Too many faults? No? then your racket is fine. Can you hit a good strong shot without the need for any strenuous effort on your part? Can you smash with the racket without your arm getting sore? Can you hit a nice serve with the right spin? If yes, you have a good racket.
Head size plays a very key role in a racket's performance characteristics. A larger head size very generally means more power and a larger "sweet spot". This is an area in the string bed that is partially more forgiving on off-center hits and which produces more ball-reflective power from string deformation, known as the trampoline effect. However, large head sizes can increase twisting, which makes off-center hits more difficult to control and can reduce a player's overall power production due to the playing compensating for the extra inherent power, typically with stiffer strings to reduce the increased string deformation of large heads. A smaller head size generally offers more control for many shots, particularly the service and groundstrokes aimed near the lines, but can lead to more shanks (wild misses, from hitting the frame or missing the sweet spot). This drawback is most common for professional players using single-handed topspin backhands, as well as for recreational and aged players at net. Shanking due to small racket head size is typically exacerbated by racket weight, which slows the reaction time, as well as, to a lesser degree, the racket's balance point. In professional tennis, currently-used racket head sizes vary between 95–115 square inches (610–740 cm2), with most players adopting one from 98–108 square inches (630–700 cm2). Rackets with smaller and larger head sizes, 85 and 120–137 square inches (550 and 770–880 cm2), are still produced but are not used by professionals currently. A very small number of professionals, such as Monica Seles, used 125 square inches (810 cm2) rackets during some point in their careers. Rackets with smaller heads than 85 square inches (550 cm2) have not been in production since the 1980s and rackets with larger head sizes than 137 square inches (880 cm2) are not currently legal for the sport, even though only elderly players typically choose to use rackets beyond 115 square inches (740 cm2) and it is nearly unheard-of for a serious player who is not elderly to choose a racket over 125 square inches (810 cm2). The WEED company, founded by Tad Weed, specializes in producing very large rackets, primarily for the elderly market. Rackets that are moderately higher in power production, moderately lower in weight, moderately larger in size, and which typically possess a slightly head-heavy balance are often called "tweener rackets." Rackets that have the smallest heads in current use, the highest weights in current use, and headlight or even balance are referred to as "players' rackets". Oversize rackets, typically 110 square inches (710 cm2) in size, were once pejoratively referred to as "granny sticks" but resistance to them being seen as illegitimate rackets for younger players decreased dramatically with the successful use of these rackets by a small number professionals such as Andre Agassi and Pam Shriver. Originally, even midsize frames (85 square inches (550 cm2)) were considered jumbo, and some top players, such as Martina Navratilova and Rod Laver said they should be banned for making the sport too easy. Later, these same professionals, including John McEnroe, signed a letter supporting a switch back to wood frames, or a limitation to the original standard size of approximately 65 square inches (420 cm2). Perhaps the last professional to use a standard-size racket in professional tennis was Aaron Krickstein, known for the strongly-contested match against Connors at the 1991 US Open. He used a Wilson Ultra-II standard-size graphite racket also used in the 1980s by the hard-hitting teen Andrea Jaeger. The first oversize, the fiberglass Bentley Fortissimo from Germany, was praised by racket designers but was considered too large to be taken seriously by the small number of players who were exposed to it.
The other type of tiebreaker Van Alen introduced is the "12-point" tiebreaker that is most familiar and widely used today. Because it ends as soon as either player or team reaches 7 points – provided that that player or team leads the other at that point by at least two points – it can actually be over in as few as 7 points. However, because the winning player or team must win by a margin of at least two points, a "12-point" tiebreaker may go beyond 12 points – sometimes well beyond. That is why Van Alen derisively likened it to a "lingering death", in contrast to the 9-point (or fewer) "sudden-death tiebreaker" that he recommended and preferred.
In Tennis: A Cultural History, Heiner Gillmeister reveals that on December 8, 1874, British army officer Walter Clopton Wingfield wrote to Harry Gem, commenting that he (Wingfield) had been experimenting with his version of lawn tennis “for a year and a half”. In December 1873, Wingfield designed and patented a game which he called sphairistikè (Greek: σφαιριστική, meaning "ball-playing"), and was soon known simply as "sticky" – for the amusement of guests at a garden party on his friend's estate of Nantclwyd Hall, in Llanelidan, Wales. According to R. D. C. Evans, turfgrass agronomist, "Sports historians all agree that [Wingfield] deserves much of the credit for the development of modern tennis." According to Honor Godfrey, museum curator at Wimbledon, Wingfield "popularized this game enormously. He produced a boxed set which included a net, poles, rackets, balls for playing the game – and most importantly you had his rules. He was absolutely terrific at marketing and he sent his game all over the world. He had very good connections with the clergy, the law profession, and the aristocracy and he sent thousands of sets out in the first year or so, in 1874." The world's oldest annual tennis tournament took place at Leamington Lawn Tennis Club in Birmingham in 1874. This was three years before the All England Lawn Tennis and Croquet Club would hold its first championships at Wimbledon, in 1877. The first Championships culminated a significant debate on how to standardize the rules.