So, as you now know, learning to serve is essential as you learn to play tennis. Here’s how (for right-handed players — left-handed players should reverse the directions): Stand with both feet behind the baseline. Assume a sideways stance with your left foot pointed towards the right hand net post. Hold the ball in your left hand. Raise your left hand throwing the ball upwards about one foot in front of your left foot and about eighteen inches above your reach. While the ball in the air, move your racket back and up. Hit the ball at full stretch, with your racket arm straight, at the highest point possible. You are switching the weight of your body from your back foot to your front foot to give added strength to your shot.
The origin of the term "racket" is unclear. According to a popular belief first published by tennis player Malcolm Whitman in 1932, the expression comes from the Arabic term rahat al-yad, meaning "palm of hand". Modern research however, holds this thesis in a highly questionable light. Instead, the term is more likely to be derived from the Flemish word "raketsen" which is itself derived from Middle French "rachasser", meaning "to strike (the ball) back".
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"Tennis Court" is a song recorded by New Zealand singer Lorde. She co-wrote the song with Joel Little, with production handled by the latter. Universal Music Group (UMG) released the song as the second single from her debut studio album Pure Heroine (2013) in Australia and New Zealand on 7 June 2013. On the same day, the label released an extended play (EP) of the same name containing three additional tracks throughout Europe. "Tennis Court" combines alternative pop, art pop and downtempo music with hip hop elements and incorporates minimalist production with simple synthesiser instrumentation and an electronic pulse. Inspired by Lorde's fresh insights into the music industry, the lyrics address Lorde's newfound fame and nostalgia for her hometown.
Kolkmann says that asphalt courts can also develop low areas over time due to settling of the soil or base under the asphalt surface. "With a post-tensioned slab, this area can be bridged and no settling will occur. In addition, concrete courts can often be installed on unstable soils where it would be cost-prohibitive to do extensive excavating and base work to support an asphalt court," he says.
The Tennis Complex (6 courts) is located on the north-west side of campus just behind Dedeaux Baseball Field. Courts are open for general use during Lyon Center operating hours, however, Athletics and Physical Education take priority during the times listed below. Please note that courts are washed on Friday mornings and lights will remain on 30 minutes after Lyon Center closing. Two courts have been newly resurfaced with sport court material. This multi-purpose surface allows individuals to play tennis, soccer, floor hockey, volleyball and basketball.
Two hands give the player more control, while one hand can generate a slice shot, applying backspin on the ball to produce a low trajectory bounce. Reach is also limited with the two-handed shot. The player long considered to have had the best backhand of all time, Don Budge, had a powerful one-handed stroke in the 1930s and 1940s that imparted topspin onto the ball. Ken Rosewall, another player noted for his one-handed backhand, used a very accurate slice backhand through the 1950s and 1960s. A small number of players, notably Monica Seles, use two hands on both the backhand and forehand sides.
In doubles, service alternates between the teams. One player serves for an entire service game, with that player's partner serving for the entirety of the team's next service game. Players of the receiving team receive the serve on alternating points, with each player of the receiving team declaring which side of the court (deuce or ad side) they will receive serve on for the duration of the set. Teams alternate service games every game.
The track opens with Lorde questioning "Don't you think that is boring how people talk?" with her, in the words of Lester, "sweet, sultry and sour" voice, which suggests "a frictional relationship with the high life". This line also summarises Pure Heroine's central theme of Lorde's observations and critiques of mainstream culture. Lorde repeats the tongue-in-cheek word "Yeah" after each verse. The refrain contains the lyrics "Baby be the class clown / I'll be the beauty queen in tears", which feature "class clown" and "beauty queen" stereotypes of high school students and express underlying sorrow behind superficial beauty. Follow-up lines "It's a new art form showing people how little we care / We're so happy even when we're smilin' out of fear" illustrate Lorde feigning disinterest when facing fame and adolescence. In the second verse, Lorde wonders about her future music career, therefrom expecting inevitable nostalgia of her non-celebrity lifestyle, "But my head's filling up with the wicked games, up in flames / How can I fuck with the fun again, when I'm known?" At the bridge, Lorde sings "I fall apart, with all my heart / And you can watch from your window", which HuffPost interpreted as a commentary on the breakdowns of teenage celebrities.
In 2004, the ITF implemented a new rankings scheme to encourage greater participation in doubles, by combining two rankings (singles and doubles) into one combined tally. Junior tournaments do not offer prize money except for the Grand Slam tournaments, which are the most prestigious junior events. Juniors may earn income from tennis by participating in the Future, Satellite, or Challenger tours. Tournaments are broken up into different tiers offering different amounts of ranking points, culminating with Grade A.
Tennis magazine selected Martina Navratilova as the greatest female tennis player for the years 1965 through 2005. Tennis historian and journalist Bud Collins has called Navratilova "arguably, the greatest player of all time." Billie Jean King said about Navratilova in 2006, "She's the greatest singles, doubles and mixed doubles player who's ever lived."
The next item on your racquet checklist is string. Pre-strung tennis racquets are great for beginners and recreational players. More advanced players may opt to customize their string material, gauge, and tension to their personal playing style. Natural gut tennis strings are considered the best, which is why many advanced players use them, but they tend to require frequent changing. Synthetic strings are great for recreational players as they achieve a happy medium between durability and playability. In terms of gauge: Thicker strings last longer but thinner strings feel better to most players. Experienced players tend to prefer lower string tension in their tennis racquets because it yields more power, while greener players benefit from the increased control of high-tension stringing. Regardless of your preference, be sure to adhere to the racquet manufacturer’s tension guidelines. Plan to have your racquet restrung at least once per year, and a good rule to follow is: However many times you play per week is the number of times per year you should restring your racquet. So if you play twice per week, have your tennis racquet restrung twice per year. If you play seasonally, make sure to time your restringing so that it occurs just before the season starts.
"Tennis Court" debuted atop the New Zealand Singles Chart dated 17 June 2013, becoming Lorde's second number-one single on the chart following "Royals", which reached the top position in March 2013. It spent 21 weeks on the chart, six of which in the top ten. The single received double platinum certification from Recorded Music NZ for exceeding sales of 30,000 copies in the country. "Tennis Court" was the 19th best-selling single of 2013 in New Zealand. In neighbouring Australia, the single peaked at number 20 on the ARIA Singles Chart and remained on the chart for 22 weeks. It was certified triple platinum by the Australian Recording Industry Association for shipments of 210,000 units.
But it’s not all downside, emotionally, a reckoning with limits and failure, that I’m feeling when I’m playing with Kirill. I have improved, and am proud of that. Being able to spend a couple of hours each week playing with a gifted athlete — and a natural teacher — is gratifying in and of itself. There is also, for instance, the patience I feel at times — patience, finally, as I near 60 — when Kirill and I are rallying for 8 or 9 or 12 or 15 shots. He has a way of sensing when I have found a rhythm (he has told me as much) and he will start hitting with more pace, and I will feed off it, and then he will alter his shots — topspin, flat, slice — to make me take the ball in different strike zones, high to low. And as I at once concentrate but do not overthink; move quickly but without restless tension; and am neither consumed with winning the rally nor anxious about losing it, I am as serene in a moment as I have ever been or am likely to be.