Another alternative set format are so called "short sets" where the first to four games to win by two games. In this format a tie-break is played at four games all. The ITF experimented with this format in low level Davis Cup matches, but the experiment was not continued. Nevertheless, this alternative remains as an acceptable alternative in the ITF rules of Tennis.[32]
A popular alternative to advantage scoring is "no-advantage" (or "no-ad") scoring, created by James Van Alen in order to shorten match playing time.[12] No-advantage scoring is a scoring method in which the first player to reach four points wins the game. No-ad scoring eliminates the requirement that a player must win by two points. Therefore, if the game is tied at deuce, the next player to win a point wins the game. This method of scoring is used in most World TeamTennis matches.[13][14] When this style of play is implemented, at deuce, the receiver then chooses from which side of the court he or she desires to return the serve. However, in no-ad mixed doubles play gender always serves to the same gender at game point and during the final point of tiebreaks.[15]

The ProCushion System, depicted in the illustration above, is the ultimate professional and residential cushioned option for tennis court surfaces. This 100% acrylic coating system is designed to provide optimum resilience and spin responsive play. The shock absorbing layers of the ProCushion system provide unparalleled player comfort at an affordable cost. Flexible acrylic binders maximize the feel of the rubber granules for decades after application.
Head size plays a very key role in a racket's performance characteristics. A larger head size very generally means more power and a larger "sweet spot". This is an area in the string bed that is partially more forgiving on off-center hits and which produces more ball-reflective power from string deformation, known as the trampoline effect. However, large head sizes can increase twisting, which makes off-center hits more difficult to control and can reduce a player's overall power production due to the playing compensating for the extra inherent power, typically with stiffer strings to reduce the increased string deformation of large heads. A smaller head size generally offers more control for many shots, particularly the service and groundstrokes aimed near the lines, but can lead to more shanks (wild misses, from hitting the frame or missing the sweet spot). This drawback is most common for professional players using single-handed topspin backhands, as well as for recreational and aged players at net. Shanking due to small racket head size is typically exacerbated by racket weight, which slows the reaction time, as well as, to a lesser degree, the racket's balance point. In professional tennis, currently-used racket head sizes vary between 95–115 square inches (610–740 cm2), with most players adopting one from 98–108 square inches (630–700 cm2). Rackets with smaller and larger head sizes, 85 and 120–137 square inches (550 and 770–880 cm2), are still produced but are not used by professionals currently. A very small number of professionals, such as Monica Seles, used 125 square inches (810 cm2) rackets during some point in their careers. Rackets with smaller heads than 85 square inches (550 cm2) have not been in production since the 1980s and rackets with larger head sizes than 137 square inches (880 cm2) are not currently legal for the sport, even though only elderly players typically choose to use rackets beyond 115 square inches (740 cm2) and it is nearly unheard-of for a serious player who is not elderly to choose a racket over 125 square inches (810 cm2). The WEED company, founded by Tad Weed, specializes in producing very large rackets, primarily for the elderly market. Rackets that are moderately higher in power production, moderately lower in weight, moderately larger in size, and which typically possess a slightly head-heavy balance are often called "tweener rackets."[11] Rackets that have the smallest heads in current use, the highest weights in current use, and headlight or even balance are referred to as "players' rackets". Oversize rackets, typically 110 square inches (710 cm2) in size, were once pejoratively referred to as "granny sticks" but resistance to them being seen as illegitimate rackets for younger players decreased dramatically with the successful use of these rackets by a small number professionals such as Andre Agassi and Pam Shriver. Originally, even midsize frames (85 square inches (550 cm2)) were considered jumbo, and some top players, such as Martina Navratilova and Rod Laver said they should be banned for making the sport too easy. Later, these same professionals, including John McEnroe, signed a letter supporting a switch back to wood frames, or a limitation to the original standard size of approximately 65 square inches (420 cm2). Perhaps the last professional to use a standard-size racket in professional tennis was Aaron Krickstein, known for the strongly-contested match against Connors at the 1991 US Open. He used a Wilson Ultra-II standard-size graphite racket also used in the 1980s by the hard-hitting teen Andrea Jaeger. The first oversize, the fiberglass Bentley Fortissimo from Germany, was praised by racket designers but was considered too large to be taken seriously by the small number of players who were exposed to it.
Outside Australasia, the single achieved modest commercial success. It peaked at number 78 on the Canadian Hot 100 and remained for five weeks on the chart.[61] The track earned platinum certification from Music Canada, which denotes shipments of 80,000 copies in the country.[62] The single had the similar position on the UK Singles Chart and was certified silver by the British Phonographic Industry for track-equivalent sales of 200,000 units, based on sales and streams.[63][64] It also entered the top 100 of the German Singles Chart, where it reached number 83.[65] Despite not entering the record chart of Norway, the song was certified platinum by IFPI Norway for exceeding sales of 10,000 units in the country.[66] In the US, "Tennis Court" debuted at number 71, which was also its highest placement, on the Billboard Hot 100 chart dated 19 October 2013.[67] The single spent 18 weeks on the chart and had sold 355,000 copies in the US by April 2014.[68][18] It also reached number nine on the Hot Rock Songs, a Billboard auxiliary chart.[69]

The third and fourth tier of men's tennis tournaments are formed by the ATP World Tour 500 series, consisting of 11 tournaments, and the ATP World Tour 250 series with 40 tournaments.[90] Like the ATP World Tour Masters 1000, these events offer various amounts of prize money and the numbers refer to the amount of ranking points earned by the winner of a tournament.[83] The Dubai Tennis Championships offer the largest financial incentive to players, with total prize money of US$2,313,975 (2012).[91] These series have various draws of 28, 32, 48 and 56 for singles and 16 and 24 for doubles. It is mandatory for leading players to enter at least four 500 events, including at least one after the US Open.

products will arrive within 10 business days. we do ship to PO Boxes and APO/FPO addresses. currently, we're not shipping to Alaska, Hawaii or Puerto Rico. view our shipping table for expedited and express rates. some products may have a small special shipping fee due to the item’s weight, size and dimensions. please check the product deets for more information. you'll see your estimated total shipping and taxes listed in checkout before you place your order.
A popular alternative to advantage scoring is "no-advantage" (or "no-ad") scoring, created by James Van Alen in order to shorten match playing time.[12] No-advantage scoring is a scoring method in which the first player to reach four points wins the game. No-ad scoring eliminates the requirement that a player must win by two points. Therefore, if the game is tied at deuce, the next player to win a point wins the game. This method of scoring is used in most World TeamTennis matches.[13][14] When this style of play is implemented, at deuce, the receiver then chooses from which side of the court he or she desires to return the serve. However, in no-ad mixed doubles play gender always serves to the same gender at game point and during the final point of tiebreaks.[15]

Notable tennis tournaments previously held on carpet courts were the WCT Finals, Paris Masters, U.S. Pro Indoor and Kremlin Cup. Since 2009, their use has been discontinued on the top tier of the ATP. ATP Challenger Tour tournaments such as the Trofeo Città di Brescia still use carpet courts. The WTA Tour has one remaining carpet court event, the International-level Tournoi de Québec.
To promote her works to American audiences, Lorde held her first US show at Le Poisson Rouge in New York on 6 August 2013 and performed "Tennis Court" among songs from The Love Club EP.[75] She subsequently included the song on the set list for her debut concert Pure Heroine Tour, which ran from late 2013 throughout 2014 in support of her debut studio album.[76][77] On 13 November 2013, Lorde performed "Tennis Court" among five other songs from The Love Club and Pure Heroine on Live on Letterman.[78] Six days later, Lorde held her first UK concert at Soho, London, where she performed several tracks from Pure Heroine including "Tennis Court".[79] She also performed the track during the "Almost Acoustic Christmas" event on KROQ-FM radio station on 9 December.[80]
The other type of tiebreaker Van Alen introduced is the "12-point" tiebreaker that is most familiar and widely used today. Because it ends as soon as either player or team reaches 7 points – provided that that player or team leads the other at that point by at least two points – it can actually be over in as few as 7 points. However, because the winning player or team must win by a margin of at least two points, a "12-point" tiebreaker may go beyond 12 points – sometimes well beyond. That is why Van Alen derisively likened it to a "lingering death", in contrast to the 9-point (or fewer) "sudden-death tiebreaker" that he recommended and preferred.
During the 19th century the Royal Tennis Court played a variety of different roles. It served as a theatre storeroom, a workshop and storage space, and a studio for the painters Antoine-Jean Gros and then Horace Vernet. It was listed as a national monument in 1848, then became a games room again under the Second Empire. Approaching the centenary of the oath, under the Third Republic, architect Edmond Guillaume was invited to restore it and convert it into a museum of the French Revolution. The architect used original engravings to reconstitute the spirit of the room, which had been modified and had deteriorated over the course of the century. The museum housed the statue of Bailly, busts of the most important signatories of the oath, and a monumental canvas by Luc-Olivier Merson, based on Jacques-Louis David's preparatory drawing. The museum was inaugurated on 20 June 1883 in the presence of Jules Ferry.
Experienced players strive to master the conventional overhand serve to maximize its power and placement. The server may employ different types of serve including flat serve, topspin serve, slice serve, and kick (American twist) serve. A reverse type of spin serve is hit in a manner that spins the ball opposite the natural spin of the server, the spin direction depending upon right- or left-handedness. If the ball is spinning counterclockwise, it will curve right from the hitter's point of view and curve left if spinning clockwise.[75]

In 1954, Van Alen founded the International Tennis Hall of Fame, a non-profit museum in Newport, Rhode Island.[41] The building contains a large collection of tennis memorabilia as well as a hall of fame honouring prominent members and tennis players from all over the world. Each year, a grass court tournament and an induction ceremony honoring new Hall of Fame members are hosted on its grounds.
By 1975, aluminum construction improvements allowed for the introduction of the first American "oversized" racket, which was manufactured by Weed. Prince popularized the oversize racket, which had a head size of approximately 110 square inches (710 cm2). Howard Head was able to obtain a broad patent for Prince, despite the prior art of the Bentley Fortissimo (the first oversize, made in Germany of fiberglass) and the Weed. The patent was rejected by Germany but approved in the USA. The popularity of the Prince aluminum oversize had the side effect of popularizing rackets having other non-standard head sizes such as mid-size 85–90 square inches (550–580 cm2) and mid-plus sizes 95–98 square inches (610–630 cm2). Fairly quickly, midsize frames began to become the most-used frames in the pro tours. Martina Navratilova popularized the midsize graphite racket, with her wins using the Yonex R-7, the first midsize graphite racket made by Yonex. Nearly at the same time, however, she said the "jumbo" rackets (midsize included) should be removed from the sport for making it easier. She said she would use them only because other players could, as they were tournament-legal. Fewer players chose to use oversize rackets, and some switched to midplus frames after their earliest career for more control. Fiberglass frames also had a brief period of limited popularity, making fewer inroads among top players than aluminum. Also, the earliest composites, such as the Head Competition series, used by Arthur Ashe, were made without graphite. These were more flexible than a typical early graphite composite but stiffer than wood, fiberglass, and aluminum.
We will take reasonable steps to protect your personally identifiable information as you transmit your information from your computer to our Site and to protect such information from loss, misuse and unauthorized access, disclosure, alteration or destruction in accordance with this Privacy Policy and the Terms of Use. You should keep in mind that no Internet transmission is ever 100% secure or error-free. In particular, email sent to or from this Site may not be secure, and you should therefore take special care in deciding what information you send to us via e-mail. Moreover, where you use passwords, usernames, ID numbers or other special access features on this Site, it is your responsibility to safeguard them
Before hiring a local contractor to build your play court, ask plenty of questions and do your research. Tennis court construction is a highly specialized field, so it's important to find a contractor with extensive experience. Kolkmann recommends using someone who is an active member of ASBA, with at least 15% to 20% of annual business devoted to designing and constructing sport surfaces. (ASBA has a searchable database of certified builder members.)
Size. The overall size of a regulation tennis court for doubles play is 60 x 120 feet (per the International Tennis Federation). However, you must allow additional space around the court perimeter to give the contractor room to work and to permit the installation of drainage, landscaping, and fencing. Munson recommends leaving at least 12 feet between the court sidelines and the closest fixed obstructions, and 21 feet between the baselines and fixed obstructions. Where space is limited, you can downsize to a slightly smaller court. ITF recommends a minimum court size of 56 x 114 feet. An NBA/NCAA regulation full-size basketball court is 94 feet long and 50 feet wide. For backyards without enough acreage for a pro court, half courts can suffice for one-on-one games. (See this diagram of court dimensions from Half Court Sports.)
The concrete slab should be placed at a thickness of at least 4 inches, or 5 inches if subject to repeated freeze/thaw cycles. Munson's post-tensioned slabs are a minimum of 5 inches thick, with the post-tensioning cables spaced 3 feet apart. Before installing the slab, Munson lays down two layers of 10-mil polyethylene sheeting to reduce drag as the slab shrinks upon curing and to serve as a moisture-vapor barrier.
The comprehensive rules promulgated in 1924 by the ILTF, have remained largely stable in the ensuing eighty years, the one major change being the addition of the tiebreak system designed by Jimmy Van Alen.[32] That same year, tennis withdrew from the Olympics after the 1924 Games but returned 60 years later as a 21-and-under demonstration event in 1984. This reinstatement was credited by the efforts by the then ITF President Philippe Chatrier, ITF General Secretary David Gray and ITF Vice President Pablo Llorens, and support from IOC President Juan Antonio Samaranch. The success of the event was overwhelming and the IOC decided to reintroduce tennis as a full medal sport at Seoul in 1988.[33][34]