Head size plays a very key role in a racket's performance characteristics. A larger head size very generally means more power and a larger "sweet spot". This is an area in the string bed that is partially more forgiving on off-center hits and which produces more ball-reflective power from string deformation, known as the trampoline effect. However, large head sizes can increase twisting, which makes off-center hits more difficult to control and can reduce a player's overall power production due to the playing compensating for the extra inherent power, typically with stiffer strings to reduce the increased string deformation of large heads. A smaller head size generally offers more control for many shots, particularly the service and groundstrokes aimed near the lines, but can lead to more shanks (wild misses, from hitting the frame or missing the sweet spot). This drawback is most common for professional players using single-handed topspin backhands, as well as for recreational and aged players at net. Shanking due to small racket head size is typically exacerbated by racket weight, which slows the reaction time, as well as, to a lesser degree, the racket's balance point. In professional tennis, currently-used racket head sizes vary between 95–115 square inches (610–740 cm2), with most players adopting one from 98–108 square inches (630–700 cm2). Rackets with smaller and larger head sizes, 85 and 120–137 square inches (550 and 770–880 cm2), are still produced but are not used by professionals currently. A very small number of professionals, such as Monica Seles, used 125 square inches (810 cm2) rackets during some point in their careers. Rackets with smaller heads than 85 square inches (550 cm2) have not been in production since the 1980s and rackets with larger head sizes than 137 square inches (880 cm2) are not currently legal for the sport, even though only elderly players typically choose to use rackets beyond 115 square inches (740 cm2) and it is nearly unheard-of for a serious player who is not elderly to choose a racket over 125 square inches (810 cm2). The WEED company, founded by Tad Weed, specializes in producing very large rackets, primarily for the elderly market. Rackets that are moderately higher in power production, moderately lower in weight, moderately larger in size, and which typically possess a slightly head-heavy balance are often called "tweener rackets." Rackets that have the smallest heads in current use, the highest weights in current use, and headlight or even balance are referred to as "players' rackets". Oversize rackets, typically 110 square inches (710 cm2) in size, were once pejoratively referred to as "granny sticks" but resistance to them being seen as illegitimate rackets for younger players decreased dramatically with the successful use of these rackets by a small number professionals such as Andre Agassi and Pam Shriver. Originally, even midsize frames (85 square inches (550 cm2)) were considered jumbo, and some top players, such as Martina Navratilova and Rod Laver said they should be banned for making the sport too easy. Later, these same professionals, including John McEnroe, signed a letter supporting a switch back to wood frames, or a limitation to the original standard size of approximately 65 square inches (420 cm2). Perhaps the last professional to use a standard-size racket in professional tennis was Aaron Krickstein, known for the strongly-contested match against Connors at the 1991 US Open. He used a Wilson Ultra-II standard-size graphite racket also used in the 1980s by the hard-hitting teen Andrea Jaeger. The first oversize, the fiberglass Bentley Fortissimo from Germany, was praised by racket designers but was considered too large to be taken seriously by the small number of players who were exposed to it.
Kolkmann stresses the importance of taking no shortcuts during the preparation phases. "For our courts, we require at least a 10-inch stone base over a geotextile fabric. We use 6 to 8 inches of clear stone [screened and washed limestone used as a drainage medium] and then a 2- to 4-inch lift of 3/4-inch minus stone. The entire court is surrounded by 4-inch drain tile to reduce the amount of surface and subsurface water that gets under a court. The lift of clear stone also allows the water to drain under the court much faster, should any get underneath. All the stone is laser-graded to the correct slope."
OK. Now that you understand the court, let’s learn to play tennis with some specifics. As already mentioned, a tennis beginner can play a singles or doubles game with either one or two players on each side of the net. The game — and, each point — begins with a serve taken from behind the baseline. The ball must bounce into the diagonally opposite service court. (Your serve may be your most difficult stroke as you learn to play tennis.) The play — or point — continues until one player fails to hit the ball back or hits it out-of-bounds.
David Foster Wallace, an amateur tennis player himself at Urbana High School in Illinois, included tennis in many of his works of nonfiction and fiction including "Tennis Player Michael Joyce's Professional Artistry as a Paradigm of Certain Stuff about Choice, Freedom, Discipline, Joy, Grotesquerie, and Human Completeness," the autobiographical piece "Derivative Sport in Tornado Alley," and Infinite Jest, which is partially set at the fictional "Enfield Tennis Academy" in Massachusetts.
Thank you very much for this great analysis. I am 46 and started playing Tennis 6 months ago. I am a college lecturer and I have been playing 4 times a week. As you said practising gives me a lot to improve my game. Stressfull matches constricts our strokes definitely. Playing for fun is perfect. Your second point is also true; I can beat young players through my game stragety and tactics although their fitness level is far better than mine. Regards
Moving, always moving, and all the time thinking and checking off: Maintain the continental grip, the base knuckle of the index finger of my left hand resting on the bevel one notch counterclockwise from the racket handle’s high noon. (Check.) Keep the racket in front and the racket head up. (Check.) Knees slightly bent. (Check.) Turn sideways quickly, and punch with your shoulder, don’t swing; and tighten your grip at the moment the ball is about to hit the strings.
Weights of a racket also vary between 7 ounces (200 g) unstrung and 12.6 ounces (360 g) strung. Until the 1980s, rackets weighted at "medium" were produced. "Heavy" rackets were produced during the height of the wood era (e.g. the 1960s), very sparingly. The "medium" weight is heavier than any of the rackets produced since it was discontinued by companies. Many professionals added weight to their rackets to improve stability. Many continue to do so. Pete Sampras added lead tape to make his racket have a 14 ounces (400 g) weight and Venus Williams is known for using a frame modified to be quite heavy, in terms of the recent times average. By contrast, Andy Roddick surprised many when he said he used a stock Pro Drive series model, series of racket which was light when compared with the rackets used by most top professionals. In both recreational and professional tennis, the trend has been away from heavy rackets and toward lighter rackets, despite the drawbacks from light rackets, such as increased twisting. Lawn tennis rackets originally flared outward at the bottom of the handle to prevent slippage. The rounded bottom was called a bark bottom after its inventor Matthew Barker. But by 1947, this style became superfluous.[clarification needed] More mass gives rackets "plow through", momentum that continues once the player has managed to get the racket into motion and which is more resistant to stoppage from the ball's momentum. This can give the perception that the racket produces shots with more power, although this is complicated by the typically slower stroke production. Higher mass typically involves a slower swing but more energy to execute the swing. More mass also provides more cushioning against ball impact shock, a source of injuries such as tennis elbow. However, high racket mass can cause fatigue in the shoulder area. Typically, it is safer for the body to have higher mass. More mass, additionally, provides more stability. It makes the racket more resistant to twisting forces and pushback. The drawbacks are that heavier rackets have lower maneuverability (reducing reaction time) and require more energy to move. As a racket gets heavier, the player finds it increasingly difficult to do fast reaction shots such as quick volleys and returns of serve. However, the additional mass can help with return of serve, in particular, by making the racket much more resistant to twist from a high-powered service. Light rackets have the additional drawback of making it easier for beginning players to use inappropriate wrist-dominant strokes, which often leads to injury. This is because poor stroke mechanics can be much easier to produce with a lightweight racket, such as in using one's wrist to mostly swing the racket. An extremely typical mistake beginning players make is to choke up heavily on the racket (to try to compensate for twist from a light racket, as well as too high racket angle upon impact) and use the wrist too much. The only professional well-known player to have had success with a strongly choked-up grip is Zina Garrison.
Badminton rackets are light, with top quality rackets weighing between about 70 and 95 grams (with guts ). Modern rackets are composed of carbon fiber composite (graphite reinforced plastic), which may be augmented by a variety of materials. Carbon fiber has an excellent strength to weight ratio, is stiff, and gives excellent kinetic energy transfer. Before the adoption of carbon fiber composite, rackets were made of wood to their excessive weight and cost.
The tennis scoring system is a way to keep track of tennis matches (including pick-up games). Some tennis matches are played as part of a tournament. (Tournaments may have various categories, such as singles and doubles.) The great majority are organised as a single-elimination tournament, with competitors being eliminated after a single loss, and the overall winner being the last competitor without a loss. Optimally, such tournaments have a number of competitors equal to a power of two in order to fully fill out a single elimination bracket. In many professional and top-level amateur events, the brackets are seeded according to a recognised ranking system, in order to keep the best players in the field from facing each other until as late in the tournament as possible; additionally, if byes are necessary because of a less-than-full bracket, those byes in the first round are usually given to the highest-seeded competitors.
Very simply, find yourself a certified and reputable teaching professional (“pro”) and take a handful or dozen lessons over the course of a few weeks to jump-start the learning process and help you retain and apply the instructors teachings. Don’t be surprised or alarmed if the pro has you doing some things that feel awkward, or asks you to change the way you’ve been doing things before. He or she may have you doing certain exercises or “drills” that are designed to develop specific skills that, to you, may seem impractical or odd, but which actually work. Be patient, be alert, be attentive, Listen and apply as much as you can. Finally, come prepared to each lesson by having practiced at least once or twice since the previous lesson, and bring water and a towel, sunglasses, sunscreen and a cap to prevent sunburn and heat exhaustion.
In order to assist litigants and attorneys using the Shreveport City Court, the court has created a Guide to Practice. This document is not meant to be a definitive statement of the law nor may it be cited to the court as support for any position. This document is merely a tool to be utilized to assist litigants and attorneys in access to the court. Legal citations are provided to assist litigants and attorneys in their quest to determine applicable law and procedure.
More recently, Roger Federer is considered by many observers to have the most "complete" game in modern tennis. He has won 20 grand slam titles and 6 World Tour Finals, the most for any male player. Many experts of tennis, former tennis players and his own tennis peers believe Federer is the greatest player in the history of the game. Federer's biggest rival Rafael Nadal is regarded as the greatest competitor in tennis history by some former players and is regarded to have the potential to be the greatest of all time. Nadal is regarded as the greatest clay court player of all time.
The International Tennis Federation has tested the typical ball speed for various court surfaces, and classifies them as slow, medium, or fast. Generally, a hard concrete surface—with no surfacing system applied—provides a fast speed of play. If that's not your preference or you want a more resilient surface to reduce the impact on your joints, an abundance of acrylic color coatings and cushioning systems are on the market that allow you to adapt the court surface to your style of play.
As rackets have become lighter, stiffer, and larger-headed, the professional game has moved, basically completely, from softer and more flexible string materials to stiff materials. This is, in large part, to tone down the additional power potential of the "modern" rackets. However, it also is related to the tendency for different string materials to move out of place when subjected to heavy topspin strokes. Polyester is the string of choice today because of that resistance, despite its increased stiffness (harsher feel and more aggravating for the joints) and reduced tension-holding ability (versus a string like natural gut, which excels at that). The top professionals of the 1970s and earlier, despite having access to stiffer materials such as nylon, nearly always chose to use the very flexible natural gut instead. String bed stiffness can be increased by using stiffer materials, such as kevlar and polyester, by increasing the density of the string pattern, and by stringing with a higher tension. Racket makers and players have experimented with very dense string patterns and very "open" patterns, beginning with the Snauwaert Hi Ten, which had a pattern with as few as 12 mains and 13 crosses. Doubles great Mark Woodforde used one of them. More recently, Grigor Dimitrov is known for having played with a very open-patterned racket during part of his career. String choice, both in thickness and material, string tension, string pattern, and string pattern density can have a very large effect on how a racket performs.
"Tennis Court" received generally positive reviews from contemporary critics. Siân Rowe from NME complimented Lorde's "strong pop vocals". Emily Yoshida from Grantland labelled it a "murkily winsome, ever-so-slightly chopped ballad", while Kyle Jaeger writing for The Hollywood Reporter commended the track's lyrical content and its "catchy" melody. Billboard's Jason Lipshutz was favourable towards the song's "detached attitude" and minimalist production that evoked "something intoxicating" in the music scene. Sharing the same sentiment, Adam Offitzer from independent music blog Pretty Much Amazing regarded "Tennis Court" as a "[burst] of originality" in the mainstream music scene of "mindless hooks and dubstep anthems" for its minimalism and "clever" lyrics.