^ Jump up to: a b "Grays of Cambridge: History" Archived 2011-07-06 at the Wayback Machine - makers of rackets and founded in 1855 by Henry John Gray, the Champion Racquets Player of England. "In those days, the rackets were made from one piece English ash, with a suede leather grip and natural gut. ... The 1980s witnessed a period of re-structuring and consolidation. The Cambridge racquets factory was forced to close in face of the move to graphite rackets, and production was moved to the Far east."
Two hands give the player more control, while one hand can generate a slice shot, applying backspin on the ball to produce a low trajectory bounce. Reach is also limited with the two-handed shot. The player long considered to have had the best backhand of all time, Don Budge, had a powerful one-handed stroke in the 1930s and 1940s that imparted topspin onto the ball. Ken Rosewall, another player noted for his one-handed backhand, used a very accurate slice backhand through the 1950s and 1960s. A small number of players, notably Monica Seles, use two hands on both the backhand and forehand sides.
Clay courts slow down the ball and produce a high bounce in comparison to grass or hard courts. For this reason, the clay court takes away many of the advantages of big serves, which makes it hard for serve-based players to dominate on the surface. Clay courts are cheaper to construct than other types of tennis courts, but a clay surface costs more to maintain. Clay courts need to be rolled to preserve flatness. The clay's water content must be balanced; green clay courts generally require the courts to be sloped to allow water run-off.
To ensure a winning installation, your backyard tennis court project should adhere to the playbook of good slab construction. ASBA offers detailed construction guidelines for both reinforced concrete and post-tensioned sport court surfaces, including recommendations for site preparation, subsurface and surface drainage, and concrete proportioning and mixing.
Post-tensioned concrete is reinforced with a grid of high-strength sheathed steel tendons, or cables. While the concrete is curing, the cables are tensioned in both directions and held permanently under stress by anchoring them in a perimeter beam. This squeezing action keeps the concrete in compression, improving its tensile (or bending) strength. The more the concrete is squeezed together, the less likely it is that shrinkage cracks will develop or open. (See a more complete description of post-tensioning from the Post-Tensioning Institute.)
The first year with Kirill was brutal. The prescribed continental grip felt awkward when I first began to serve. I thought I was turning my shoulder, properly, to prepare to hit a backhand, but wasn’t. I thought I was, properly, following through on my forehand, and wasn’t. It was the strangest thing. I had no sense at times of what my body was doing. And that, to some extent — a frustrating and at times embarrassing extent — continues. And it continues despite the incessant midplay appeals from Kirill to correct this, correct that. One of the things about having a coach is that no one has watched how I move more intently since I was a toddler.
Upon completion of The Love Club, Lorde and Little quickly collaborated again, initially planning to release another EP. The pair recorded materials at Little's Golden Age Studios in Morningside and started writing "Tennis Court" in January 2013. They also recorded several additional tracks and ultimately decided to work on a full-length studio album instead. Little acted as the song's sole producer, using audio software Pro Tools. Songwriting for "Tennis Court" was different from how Lorde usually writes songs; by and large, she would have a lyric forming before going into the studio to record. For this song, Little and Lorde first wrote the music and the beat, and the lyrics were built on the instant instrumental. Speaking to Billboard in November 2013, Little appreciated Lorde's developed songwriting skills on "Tennis Court", for which the singer wrote the melody and the whole chorus, praising her as "an amazing songwriter".
Weights of a racket also vary between 7 ounces (200 g) unstrung and 12.6 ounces (360 g) strung. Until the 1980s, rackets weighted at "medium" were produced. "Heavy" rackets were produced during the height of the wood era (e.g. the 1960s), very sparingly. The "medium" weight is heavier than any of the rackets produced since it was discontinued by companies. Many professionals added weight to their rackets to improve stability. Many continue to do so. Pete Sampras added lead tape to make his racket have a 14 ounces (400 g) weight and Venus Williams is known for using a frame modified to be quite heavy, in terms of the recent times average. By contrast, Andy Roddick surprised many when he said he used a stock Pro Drive series model, series of racket which was light when compared with the rackets used by most top professionals. In both recreational and professional tennis, the trend has been away from heavy rackets and toward lighter rackets, despite the drawbacks from light rackets, such as increased twisting. Lawn tennis rackets originally flared outward at the bottom of the handle to prevent slippage. The rounded bottom was called a bark bottom after its inventor Matthew Barker. But by 1947, this style became superfluous.[clarification needed] More mass gives rackets "plow through", momentum that continues once the player has managed to get the racket into motion and which is more resistant to stoppage from the ball's momentum. This can give the perception that the racket produces shots with more power, although this is complicated by the typically slower stroke production. Higher mass typically involves a slower swing but more energy to execute the swing. More mass also provides more cushioning against ball impact shock, a source of injuries such as tennis elbow. However, high racket mass can cause fatigue in the shoulder area. Typically, it is safer for the body to have higher mass. More mass, additionally, provides more stability. It makes the racket more resistant to twisting forces and pushback. The drawbacks are that heavier rackets have lower maneuverability (reducing reaction time) and require more energy to move. As a racket gets heavier, the player finds it increasingly difficult to do fast reaction shots such as quick volleys and returns of serve. However, the additional mass can help with return of serve, in particular, by making the racket much more resistant to twist from a high-powered service. Light rackets have the additional drawback of making it easier for beginning players to use inappropriate wrist-dominant strokes, which often leads to injury. This is because poor stroke mechanics can be much easier to produce with a lightweight racket, such as in using one's wrist to mostly swing the racket. An extremely typical mistake beginning players make is to choke up heavily on the racket (to try to compensate for twist from a light racket, as well as too high racket angle upon impact) and use the wrist too much. The only professional well-known player to have had success with a strongly choked-up grip is Zina Garrison.
Tennis is an Olympic sport and is played at all levels of society and at all ages. The sport can be played by anyone who can hold a racket, including wheelchair users. The modern game of tennis originated in Birmingham, England, in the late 19th century as lawn tennis. It had close connections both to various field (lawn) games such as croquet and bowls as well as to the older racket sport today called real tennis. During most of the 19th century, in fact, the term tennis referred to real tennis, not lawn tennis.