"Tennis Court" received generally positive reviews from contemporary critics. Siân Rowe from NME complimented Lorde's "strong pop vocals". Emily Yoshida from Grantland labelled it a "murkily winsome, ever-so-slightly chopped ballad", while Kyle Jaeger writing for The Hollywood Reporter commended the track's lyrical content and its "catchy" melody. Billboard's Jason Lipshutz was favourable towards the song's "detached attitude" and minimalist production that evoked "something intoxicating" in the music scene. Sharing the same sentiment, Adam Offitzer from independent music blog Pretty Much Amazing regarded "Tennis Court" as a "[burst] of originality" in the mainstream music scene of "mindless hooks and dubstep anthems" for its minimalism and "clever" lyrics.
As it happens, I was reading a ruefully captivating new memoir called “Swimming Studies,” by a onetime contender for the Canadian Olympic team, Leanne Shapton, which explores how growing up a competitive swimmer formed her habits of heart and mind. Years later, her daily rhythms and life choices, her nightly dreams, her understanding of duration, pleasure, pain and reward, remain informed by her hours in the training pool. Swimming strokes carved the contours of her inner life, and it’s not at all clear she is thankful for that. Of course, Andre Agassi, in his memoir, writes of how the aloneness of singles tennis — the very thing that imparted to Kirill a kind of Emersonian self-reliance, as he understands it — just enlarged his loneliness. You never know.
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A difficult shot in tennis is the return of an attempted lob over the backhand side of a player. When the contact point is higher than the reach of a two-handed backhand, most players will try to execute a high slice (under the ball or sideways). Fewer players attempt the backhand sky-hook or smash. Rarely, a player will go for a high topspin backhand, while themselves in the air. A successful execution of any of these alternatives requires balance and timing, with less margin of error than the lower contact point backhands, since this shot is a break in the regular pattern of play.
He said there was no way he could ever have been a pro player, and that he knew that in his early teens — for one thing, there wasn’t the money to get him to tournaments beyond those near his home. He plays competitively now one night a week, which is all his schedule allows, hitting with guys his age who had played serious college tennis and, in some cases, joined the low rungs of the pro tour for a year or two.
The new, extremely thin high-tech carbon fibre is a very interesting material for tennis rackets: as used in Prince’s TXT Warrior rackets, for example, in the shaft and heart area, it brings the typical advantages of a rigid frame (stability, control, power). Unlike a conventional stiff racquet, the Textreme racquets are comfortable and playable without the slightest compromises!
It is all based on how comfortable you are with the racket. If the racket works well with you, it is a good one. Are you hitting too many frames? Too many nets? Too many outs? Too many faults? No? then your racket is fine. Can you hit a good strong shot without the need for any strenuous effort on your part? Can you smash with the racket without your arm getting sore? Can you hit a nice serve with the right spin? If yes, you have a good racket.
A game consists of a sequence of points played with the same player serving. A game is won by the first player to have won at least four points in total and at least two points more than the opponent. The running score of each game is described in a manner peculiar to tennis: scores from zero to three points are described as "love", "15", "30", and "40", respectively. If at least three points have been scored by each player, making the player's scores equal at 40 apiece, the score is not called out as "40–40", but rather as "deuce". If at least three points have been scored by each side and a player has one more point than his opponent, the score of the game is "advantage" for the player in the lead. During informal games, "advantage" can also be called "ad in" or "van in" when the serving player is ahead, and "ad out" or "van out" when the receiving player is ahead.
Throughout most of lawn tennis' history, most rackets were made of laminated wood, with heads of around 65 square inches (420 cm2). A small number of them were made of metal, such as a 1920s racket by Dayton. Some, rarely, also had metal strings. In the late 1960s, Wilson popularized the T-2000 steel racket with wire wound around the frame to make string loops, after having purchased the design from René Lacoste, who produced the racket first in a more limited run. It was popularized by the top American player Jimmy Connors and was also, prior to Connors using it, by Billie Jean King in her early career. Many players said it lacked control but had more power, when compared with wood frames of the period. Connors used the rarer "firm" model that had additional throat welds to increase its stiffness. In 1968 Spalding launched an aluminum racket, called The Smasher. Aluminum, though lighter and more flexible than steel, was sometimes less accurate than wood. The biggest complaint, however, was that metal rackets caused strong cases of tennis elbow, especially the kind that had holes for the strings directly in the frame, rather than using an external wire wrapper, as in the T-2000. Because of that drawback in particular, most of the top players still preferred to use wooden frames.
In order to assist litigants and attorneys using the Shreveport City Court, the court has created a Guide to Practice. This document is not meant to be a definitive statement of the law nor may it be cited to the court as support for any position. This document is merely a tool to be utilized to assist litigants and attorneys in access to the court. Legal citations are provided to assist litigants and attorneys in their quest to determine applicable law and procedure.
Popular lawn tennis rackets vary primarily in length, weight, balance point, stiffness, beam thickness, string pattern, string density, and head size. They generally conform to unofficial standards that differ from past rackets. Currently, almost all adult rackets produced by companies such as Prince Sports, Yonex, Wilson, Babolat , Dunlop Sport, Head, Tecnifibre, and Völkl are made from a graphite composite. Those made from wood (the original racket frame row material), steel, fiberglass, aluminium are considered obsolete, although those materials are technically legal for play. Inexpensive rackets often have poor performance characteristics such as excessive flexibility and inadequate weight. No recent manufacturers use single-throated beams, although Prince tried to reintroduce the single throat design in the 1990s: the only professional who used one was Mirjana Lučić. Braided graphite rackets were considered high-end until recently and molded rackets have been the norm for some time. Molding is less expensive to manufacture and offer high stiffness. Dunlop started the transition away from aluminum based frames and popularised graphite-based racquets. Especially the Dunlop Max 200G model, once used to great effect by Steffi Graf and John McEnroe set the tone. Graphite-composite rackets are today's industry standard in professional tennis.
If time and finances permit, adult beginners should take a beginner tennis clinic and hit lots of balls, period. The clinic should be augmented by private lessons. After the basics are in place, find someone to hit with who can control the ball and see if he or she can practice with you. Take more clinics and hit balls … get exposure to hitting while you work on grip technique and footwork. Set a goal to get into the next level within 6-8 weeks.
The right tennis racquet for you is based largely upon your current skill level. Beginners tend to do well with large racquets because they have bigger sweet spots. Advanced players tend to want high-tech racquets made of composite materials for excellent power in a lighter weight. Your swing is another factor in the type of racquet you need. If you’re a powerful swinger, look for a smaller control racquet to help you have more control. If your swing is more about finesse, consider a larger power racquet to help you add a little oomph to your game.
Mi nombre es Legna , ofrezco entrenamientos en varios deportes como Volleyball, natacion, tennis .... Toda mi vida ha estado vinculada al deporte, estudie mi pre universotario en la ESPA NACIONAL de Cuba como atleta de windsurf hasta terminar mi licenciatura en Sociologia. En estos momentos me encuentro desde hace mas de un año en Miami trabajando independiente como Fotografo ya que tambien me gradue en arte y fotografia(ISA) ademas trabajo como tennis coach con ninos de 4 a 7 años. Me encantaria dar clases de natacion y volleyball en mi tiempo libre... My name is Legna, I offer training in various sports such as V ... View Profile
In the early 1980s, "graphite" (carbon fibre) composites were introduced, and other materials were added to the composite, including ceramics, glass fibre, boron, and titanium. Some of the earliest models typically had 20% or more fiberglass, to make them more flexible. Stiff rackets were typically not preferred by most players because of their familiarity with the comfortable softness of wood. These early models tended to be very flexible and not very powerful, although they were a power upgrade over wood and metal rackets. Wilson created the Jack Kramer Pro Staff, the graphite version of the wood racket of the same name extremely popular in the late 70's and early 80's. This was the origin of the extremely influential Wilson Pro Staff 85. Chris Evert's first graphite racket was this Jack Kramer version, which had 20% fiberglass. It was not a market success and she, along with everyone else, quickly replaced it with the stiffer Pro Staff 85, which had 20% kevlar. It used the same mold and had the same braided graphite, but offered a very noticeable improvement in power. The very popular Prince original graphite, an oversize in its most popular form, was also quite influential and used by many pros, especially as juniors. Jennifer Capriati and Monica Seles, for instance, used the Prince graphite to contest their influential Wimbledon match in 1991 that has often been hailed as the beginning of the power baselining game in the WTA, although that claim is somewhat hyperbolic and is, in large part, due to the mistaken impression that the players were hitting much harder when, in fact, the rackets were more powerful. However, the very large head size, when compared with the midsize and, especially, the old "standard" size, made it easier to produce power. The racket also had an open string pattern. The Prince "original" graphite name is rather a misnomer, as it went through some significant design adjustments over its lifetime. For instance, the truly original model had a reverse teardrop head shape, something no subsequent versions had. Stiffer composite rackets, when compared with the first and second generations of graphite composites, are the contemporary standard. The last wooden racket appearing at Wimbledon appeared in 1987, long after they were abandoned by practically all professionals. Borg tried to stage a comeback with his standard wood racket, after his premature retirement, but it quickly ended in failure, as the standard wood was no match when placed against a stiff midplus graphite. It is also commonly argued that Chris Evert would have been able to beat Martina Navratilova during the latter's most dominant period if she had switched from her wood racket years sooner. Additionally, the last influential wooden racket, the Prince Woodie, had layers of graphite to increase its stiffness and was an oversize. It was used by Tommy Haas, Gabriela Sabatini, and quite a few others. It offered very little power but did offer much more surface area than a standard-size wooden frame. Sabatini found it helpful, as compared with smaller rackets, due to her production of heavy topspin. The only woman to beat Martina Navratilova in 1984, Kathleen Horvath, used the Prince Woodie, one of only six losses Navratilova suffered in a three-year stretch involving 260 matches.
I reckon the best thing would be for courses like Tennis Xpress to introduce a ‘recreational’ level for those who want to play on Sundays and may have hit some balls with mates before but who need help correcting technique or gaining more confidence in their game – leaving the very, very rusty or beginners to go slowly without fear of ridicule or frustration.
First of all I want to let you know how much I enjoy your web page. Great job. Secondly I want to talk about your thoughts on the “perfect technique.” In your Roger Federer video you show how he uses a lot of different stances, not stepping through and things like that and is able to still make great shots. Then you also mention that the way he swings the racquet at contact in all of these examples is why he plays so good. In my opinion it IS because he has practiced the “perfect technique” so much that when he is put into those difficult situations he is able to bring the racquet through the ball the correct way all the time. Because regardless of what your body does your arm still has to produce the shot. All the other stuff like tack back, follow through and stepping through are just helpers to be more consistent. The way I teach my students is to “never change your stroke through the ball no matter how out of position you get.” Can you do this 100% of the time? No, but when you make THAT effort you will be amazed at how well it improves their footwork effort.
A tennis court is the venue where the sport of tennis is played. It is a firm rectangular surface with a low net stretched across the center. The same surface can be used to play both doubles and singles matches. A variety of surfaces can be used to create a tennis court, each with its own characteristics which affect the playing style of the game.
The Shreveport City Court consists of four elected judges and their support staff. The court comprises several divisions which provide the necessary support to the judges, the legal community, and the citizens of Shreveport in Ward 4. Shreveport City Court has jurisdiction over all violations of city ordinances and concurrent jurisdiction over state misdemeanor cases. The court also has jurisdiction over civil matters, evictions, and matters involving peace bonds.
For length, 21 to 26 inches (53 to 66 cm) is normally the junior racket range, while 27 inches (69 cm) is for stronger more physically-mature players. Some are also available at lengths of 27.5 to 29 inches (70 to 74 cm). The Gamma Big Bubba was produced with a 32 inches (81 cm) length but it is no longer legal in that length. Gamma responded by changing the length of the grip portion of the racket, to continue sales. The length restriction was based on the concern that such long rackets would make the serve too dominant, but that concern has never been objectively supported with testing. Moreover, some players, such as John Isner, are much taller and have longer arms than average professionals (and especially low stature ones), giving them a much larger advantage in terms of height for the service than is possible with several inches of racket length. This makes the length restriction more questionable. Finally, the professionals who nearly always choose to use the longest rackets typically choose them because they use two-handed groundstrokes for both forehand and backhand, using the extra length to improve their reach. An example is Marion Bartoli. As this type of player is not dominant in the sport, or even close to being average in terms of per capita representation, the length restriction seems even more unnecessary. Despite Prince's attempt to market longer length "longbody" rackets in the 1990s, standard length remains the overwhelming choice of players, further negating the argument in favor of the length restriction. When most players who choose to use a longer racket than 27 inches (69 cm) choose one, they typically only use a 27.5 inches (70 cm) model, rather than one approaching 30 inches (76 cm). Longer rackets were introduced by Dunlop
Very simply, find yourself a certified and reputable teaching professional (“pro”) and take a handful or dozen lessons over the course of a few weeks to jump-start the learning process and help you retain and apply the instructors teachings. Don’t be surprised or alarmed if the pro has you doing some things that feel awkward, or asks you to change the way you’ve been doing things before. He or she may have you doing certain exercises or “drills” that are designed to develop specific skills that, to you, may seem impractical or odd, but which actually work. Be patient, be alert, be attentive, Listen and apply as much as you can. Finally, come prepared to each lesson by having practiced at least once or twice since the previous lesson, and bring water and a towel, sunglasses, sunscreen and a cap to prevent sunburn and heat exhaustion.
In 1926, promoter C. C. Pyle established the first professional tennis tour with a group of American and French tennis players playing exhibition matches to paying audiences. The most notable of these early professionals were the American Vinnie Richards and the Frenchwoman Suzanne Lenglen. Once a player turned pro he or she was no longer permitted to compete in the major (amateur) tournaments.