A set consists of a sequence of games played with service alternating between games, ending when the count of games won meets certain criteria. Typically, a player wins a set by winning at least six games and at least two games more than the opponent. If one player has won six games and the opponent five, an additional game is played. If the leading player wins that game, the player wins the set 7–5. If the trailing player wins the game (tying the set 6–6) a tie-break is played. A tie-break, played under a separate set of rules, allows one player to win one more game and thus the set, to give a final set score of 7–6. A "love" set means that the loser of the set won zero games, colloquially termed a 'jam donut' in the USA.[55] In tournament play, the chair umpire announces the winner of the set and the overall score. The final score in sets is always read with the winning player's score first, e.g. "6–2, 4–6, 6–0, 7–5".
Before and during the open era, Rod Laver remains the only male player in history to have won the calendar year Grand Slam twice in 1962 and 1969 [101] and also the calendar year Professional Grand Slam in 1967.[102] More recently Björn Borg and Pete Sampras were regarded by many of their contemporaries as among the greatest ever. Andre Agassi, the first of two male players in history to have achieved a Career Golden Slam in singles tennis (followed by Rafael Nadal), has been called the best service returner in the history of the game.[103][104][105][106] He is the first man to win grand slams on all modern surfaces (previous holders of all grand slam tournaments played in an era of grass and clay only), and is regarded by a number of critics and fellow players to be among the greatest players of all time.[103][107][108] However it must be noted that both Rod Laver and Ken Rosewall also won major Pro Slam tournaments on all three surfaces (grass, clay, wood) Rosewall in 1963 and Laver in 1967.[109]
The Royal Tennis Court later came to be revered around the first anniversary of 20 June 1789, a decisive date in the history of France and of democracy. In 1790, a bronze plaque bearing the text of the oath was presented to the National Assembly and then taken in a procession to Versailles and put up facing the entrance to the Real Tennis room. Originally a royal sports and entertainment room, it became home to a temple to the memory of the abolition of the monarchy. It was soon neglected, however, and became a national asset in 1793. In the absence of any maintenance, it was closed to the public five years later.
In the early 1980s, "graphite" (carbon fibre) composites were introduced, and other materials were added to the composite, including ceramics, glass fibre, boron, and titanium. Some of the earliest models typically had 20% or more fiberglass, to make them more flexible. Stiff rackets were typically not preferred by most players because of their familiarity with the comfortable softness of wood. These early models tended to be very flexible and not very powerful, although they were a power upgrade over wood and metal rackets. Wilson created the Jack Kramer Pro Staff, the graphite version of the wood racket of the same name extremely popular in the late 70's and early 80's. This was the origin of the extremely influential Wilson Pro Staff 85. Chris Evert's first graphite racket was this Jack Kramer version, which had 20% fiberglass. It was not a market success and she, along with everyone else, quickly replaced it with the stiffer Pro Staff 85, which had 20% kevlar. It used the same mold and had the same braided graphite, but offered a very noticeable improvement in power. The very popular Prince original graphite, an oversize in its most popular form, was also quite influential and used by many pros, especially as juniors. Jennifer Capriati and Monica Seles, for instance, used the Prince graphite to contest their influential Wimbledon match in 1991 that has often been hailed as the beginning of the power baselining game in the WTA, although that claim is somewhat hyperbolic and is, in large part, due to the mistaken impression that the players were hitting much harder when, in fact, the rackets were more powerful. However, the very large head size, when compared with the midsize and, especially, the old "standard" size, made it easier to produce power. The racket also had an open string pattern. The Prince "original" graphite name is rather a misnomer, as it went through some significant design adjustments over its lifetime. For instance, the truly original model had a reverse teardrop head shape, something no subsequent versions had. Stiffer composite rackets, when compared with the first and second generations of graphite composites, are the contemporary standard. The last wooden racket appearing at Wimbledon appeared in 1987, long after they were abandoned by practically all professionals.[17] Borg tried to stage a comeback with his standard wood racket, after his premature retirement, but it quickly ended in failure, as the standard wood was no match when placed against a stiff midplus graphite. It is also commonly argued that Chris Evert would have been able to beat Martina Navratilova during the latter's most dominant period if she had switched from her wood racket years sooner. Additionally, the last influential wooden racket, the Prince Woodie, had layers of graphite to increase its stiffness and was an oversize. It was used by Tommy Haas, Gabriela Sabatini, and quite a few others. It offered very little power but did offer much more surface area than a standard-size wooden frame. Sabatini found it helpful, as compared with smaller rackets, due to her production of heavy topspin. The only woman to beat Martina Navratilova in 1984, Kathleen Horvath, used the Prince Woodie, one of only six losses Navratilova suffered in a three-year stretch involving 260 matches.[18]
There is nothing that says you cannot look good when you play the game of tennis and that includes having a stylish tennis racquet that accentuates your attire. It is probably not something that you want to be a major factor in your purchasing decision but if you have narrowed your choices down to 2 or 3 similar racquets it can be used as the deciding factor.
Wilson Jack Kramer Autograph Midsize Wood Racquet 4 1/2. Vintage graphite/wood mix frame. The frame and head are absolutely straight. It was strung briefly before. There is a very slight scuff on the head (see photo) which may have come from years of storage/handling or someone swinging the racquet, but that’s it. The grip and the rest of the racquet show the like-new condition of this collectable racquet.
But would if it’s a doubles game? How do I learn to play tennis then, you wonder?! Who serves? With doubles, the serving position rotates across teams and partners. For instance, if team partners A and B were playing doubles with team partners C and D, partner A would serve first and then it would rotate to partner C and then back to partner B and finally to partner D.

Mi nombre es Legna , ofrezco entrenamientos en varios deportes como Volleyball, natacion, tennis .... Toda mi vida ha estado vinculada al deporte, estudie mi pre universotario en la ESPA NACIONAL  de Cuba como atleta de windsurf hasta terminar mi licenciatura en Sociologia.  En estos momentos me encuentro desde hace mas de un año en Miami trabajando independiente como Fotografo ya que tambien me gradue en arte y fotografia(ISA) ademas trabajo como tennis coach con ninos de 4 a 7 años. Me encantaria dar clases de natacion y volleyball en mi tiempo libre... My name is Legna, I offer training in various sports such as V ... View Profile
The song's lyrics address Lorde's newfound fame.[32][33] In an interview with Spotify in May 2013, Lorde explained that "Tennis Court" was inspired by her friends and daily life in her hometown Auckland, saying that the song was a summary of the events she witnessed during the previous months of her life.[34] On her Tumblr account, she elaborated on the tennis court imagery as "a symbol of nostalgia" that embodied memories of her hometown. Lorde also elucidated that the track reflected the changes in her life at the moment, when she had ventured into a career in music.[35] She also took inspiration from "how superficial people can be" after having perceived the mechanism of the music industry.[36] Paul Lester from The Guardian opined that the song criticises the extravagant lifestyle of the rich and shares the same sentiment with "Royals" and "Million Dollar Bills" from The Love Club EP.[37] During the songwriting process, Lorde explained that she took an interest to the works of American photographer Gregory Crewdson due to his depictions of human life, suburbia and sense of loneliness.[38]
Acrylic color coatings are a combination of acrylic latex resins, pigments, and silica sand (for texture). They protect the court from the elements, enhance its appearance, and improve foot traction and consistency in ball bounce. They also make it possible to tailor the speed of play to your preferences by adjusting the amount, type, and size of sand used in the coating. For a standard concrete tennis court, the cost to install an acrylic color coating runs about $6,000, according to Kolkmann. To improve bonding of the coating, the concrete surface should have a broom finish (a lightly textured profile obtained by pushing a broom over freshly placed concrete).
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Between 1859 and 1865 Harry Gem, a solicitor and his friend Augurio Perera developed a game that combined elements of racquets and the Basque ball game pelota, which they played on Perera's croquet lawn in Birmingham, England, United Kingdom.[10][11] In 1872, along with two local doctors, they founded the world's first tennis club on Avenue Road, Leamington Spa.[12] This is where "lawn tennis" is used as a name of activity by a club for the first time. After Leamington, the second club to take up the game of lawn tennis appears to have been the Edgbaston Archery and Croquet Society, also in Birmingham.
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