Interestingly, Shapton does not come across as preoccupied with winning: a competitive swimmer who was not so competitive? Kirill is competitive. When he is leading a group session, he loves jumping in and crashing the net and punching remarkable volleys at impossible angles. And when it is just the two of us, and I hit that rare ball that forces him to make a bad shot or, even more rarely, get one past him for a winner, I know that during the next rally we have, he is going to crush the ball, hit a winner I never get close to, then quietly say sorry, as if he were working a little something out.
An alternative tie-break system called the "Coman Tie-Break" is sometimes used by the United States Tennis Association. Scoring is the same, but end changes take place after the first point and then after every four points. This approach allows the servers of doubles teams to continue serving from the same end of the court as during the body of the set. It also reduces the advantage the elements (e.g. wind and sun) could give playing the first six points of a seven-point tiebreak on one side of the court.
"The contractor the homeowner chooses should be aware of all the different surface types, speed of play, and the size and slope requirements for court construction," stresses Kolkmann. The contractor should also pay close attention to special considerations, he adds, such as the desired surface texture, the finish of the concrete required to ensure good bonding of the color coating, and provisions for fencing and net posts.
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When both sides have won the same number of points then: when each side has won one, or two, points, the score is described as "15-all" and "30-all" (or "15-up" and "30-up"), respectively. However, if each player has won three points, the score is called as "deuce", not "40–all". From that point on in the game, whenever the score is tied, it is described as "deuce", regardless of how many points have been played.
Balls wear out quickly in serious play and, therefore, in ATP and WTA tournaments, they are changed after every nine games with the first change occurring after only seven games, because the first set of balls is also used for the pre-match warm-up.[45] As a courtesy to the receiver, the server will often signal to the receiver before the first serve of the game in which new balls are used as a reminder that they are using new balls. However, in ITF tournaments like Fed Cup, the balls are changed in a 9–11 style. Continuity of the balls' condition is considered part of the game, so if a re-warm-up is required after an extended break in play (usually due to rain), then the re-warm-up is done using a separate set of balls, and use of the match balls is resumed only when play resumes.
The weight of the tennis racquet you use is very important too. You need a heavier tennis racquet to generate more ball speed but you also need to be able to swing it fast enough to hit that ball in the first place. So you have to balance the weight of the tennis racquet you use with other considerations too.For instance, if you are slight in stature it may be to your benefit to use a little lighter racquet to help you turn on the ball faster as you go to return a shot. If you are a player whose game strategy is to win on long volleys you may benefit from using a lighter racquet so you do not get tired out as much swinging so much during a match.

Upon completion of The Love Club, Lorde and Little quickly collaborated again, initially planning to release another EP. The pair recorded materials at Little's Golden Age Studios in Morningside and started writing "Tennis Court" in January 2013.[5] They also recorded several additional tracks and ultimately decided to work on a full-length studio album instead.[4] Little acted as the song's sole producer, using audio software Pro Tools.[6] Songwriting for "Tennis Court" was different from how Lorde usually writes songs; by and large, she would have a lyric forming before going into the studio to record. For this song, Little and Lorde first wrote the music and the beat, and the lyrics were built on the instant instrumental.[7] Speaking to Billboard in November 2013, Little appreciated Lorde's developed songwriting skills on "Tennis Court", for which the singer wrote the melody and the whole chorus, praising her as "an amazing songwriter".[8]


Nearly one hundred years after its construction, the Royal Tennis Court became symbolic of the brewing French Revolution. On 20 June 1789, the deputies of the Third Estate met there at the time of the Estates General, since the Menus-Plaisirs hotel, their usual meeting place, had been closed by order of the king. On that day, they took an oath not to separate until they had endowed France with a written constitution. This founding scene was immortalised by the painter Jacques-Louis David in a grand fresco, sadly unfinished, called The Tennis Court Oath, which joined the Palace collections in 1921.
I have sought many cures for this. I have repeatedly watched a YouTube video of Roger Federer, in slow motion, ripping a one-hand topspin backhand and not lifting his head for a full beat after the ball has left the picture frame — it’s as if he is studying the contrails of a missile he has just launched. Early one morning last year at Wimbledon, I stood in the cool damp and watched Federer up close during a workout, doing much the same thing, repeatedly, as if he had no interest in whether a ball he struck cleared the net or landed in (which it mostly did, and did). It was — there is no other way to describe it — beautiful, in that unobtainable way.
After you’ve figured out what you need in a racquet is when the real fun starts! We carry a vast collection of the best tennis racquets available from brands like HEAD, Gamma, Dunlop, Babolat, Wilson, Yonex, E-Force, and more! You can demo many of our most popular racquets in-store or through our mail demo program, and we also offer racquet-restringing services!
As rackets have become lighter, stiffer, and larger-headed, the professional game has moved, basically completely, from softer and more flexible string materials to stiff materials. This is, in large part, to tone down the additional power potential of the "modern" rackets. However, it also is related to the tendency for different string materials to move out of place when subjected to heavy topspin strokes. Polyester is the string of choice today because of that resistance, despite its increased stiffness (harsher feel and more aggravating for the joints) and reduced tension-holding ability (versus a string like natural gut, which excels at that). The top professionals of the 1970s and earlier, despite having access to stiffer materials such as nylon, nearly always chose to use the very flexible natural gut instead. String bed stiffness can be increased by using stiffer materials, such as kevlar and polyester, by increasing the density of the string pattern, and by stringing with a higher tension. Racket makers and players have experimented with very dense string patterns and very "open" patterns, beginning with the Snauwaert Hi Ten, which had a pattern with as few as 12 mains and 13 crosses. Doubles great Mark Woodforde used one of them.[14] More recently, Grigor Dimitrov is known for having played with a very open-patterned racket during part of his career. String choice, both in thickness and material, string tension, string pattern, and string pattern density can have a very large effect on how a racket performs.
The tiebreak is sometimes not employed for the final set of a match and an advantage set is used instead. Therefore, the deciding set must be played until one player or team has won two more games than the opponent. Of the major tennis championships, this now only applies in the French Open. In the US Open, a tiebreak is played in the deciding set (fifth set for the men, third set for the women) at 6–6. Starting in 2019, in Wimbledon, a tiebreak will be played if the score reaches 12–12 in the final set. In the Australian Open, a "first to 10" tiebreak is played in the deciding set if it reaches 6–6.[20][21] (When the tiebreak was first introduced at Wimbledon in 1971, it was invoked at 8–8 rather than 6–6.) The US Open formerly held "Super Saturday" where the two men's semi-finals were played along with the women's final on the second Saturday of the event; therefore a tie-break was more prudent where player rest and scheduling is more important.
"The biggest drawback of asphalt courts is not that they crack, for even a post-tensioned slab may crack from shrinkage or even develop minor structural cracking, but that the cracks continue to widen year after year," says Kolkmann. "I have seen asphalt courts with cracks as wide as 2 to 3 inches, making them a hazard to the players. The advantage with a post-tensioned slab is that it will not allow the crack to widen, but will keep it compressed to a very thin line."
Jeu de paume, an older version of modern-day tennis, was very popular in the 17th century and played an important part in the education of princes. As a royal sport, it was codified with etiquette and rituals. Although the Louvre Palace and the palaces at Vincennes, Fontainebleau, Compiègne and Saint-Germain all had their own tennis court, the Palace of Versailles had been without one since the room built under Louis XIII was destroyed in 1682 to ease the way for the building of the Grand Commun. Four years after Louis XIV and his Court moved to Versailles (in 1686), a new room was built for Nicolas Creté, Tennis Master to the King, a few hundred metres south-east of the Palace in the Old-Versailles district. Although built with private funds, it was frequented by Parisian tennis masters, the Court, and the royal family. According to the memoirs of Charles Perrault, Louis XIV's physician had recommended "jeu de paume" to him as a salutary hygienic exercise.

Female players tend to struggle more with the serve than male players and it comes down to a number of factors which include natural strength, throwing mechanics and the amount of time spent practicing serves. For guys, it’s normal to spend hours upon hours serving but for girls it seems to be common to focus more on their baseline game and develop their serves later on in their teens and even later.


"Tennis Court" received generally positive reviews from contemporary critics. Siân Rowe from NME complimented Lorde's "strong pop vocals".[31] Emily Yoshida from Grantland labelled it a "murkily winsome, ever-so-slightly chopped ballad",[48] while Kyle Jaeger writing for The Hollywood Reporter commended the track's lyrical content and its "catchy" melody.[49] Billboard's Jason Lipshutz was favourable towards the song's "detached attitude" and minimalist production that evoked "something intoxicating" in the music scene.[29] Sharing the same sentiment, Adam Offitzer from independent music blog Pretty Much Amazing regarded "Tennis Court" as a "[burst] of originality" in the mainstream music scene of "mindless hooks and dubstep anthems" for its minimalism and "clever" lyrics.[23]
Another alternative set format are so called "short sets" where the first to four games to win by two games. In this format a tie-break is played at four games all. The ITF experimented with this format in low level Davis Cup matches, but the experiment was not continued. Nevertheless, this alternative remains as an acceptable alternative in the ITF rules of Tennis.[32]
It’s also important to consider the size and shape of the racquet head. Oversized and mid-plus sized heads have larger sweet spots, making it easier to hit the ball with power, while smaller head sizes allow for greater control. Tear-drop shaped heads also provide a larger sweet spot, while traditional oval heads are valued for their feel and control.
Pitchfork writer Lindsay Zoladz applauded the song's narrative for "exposing irony and even hypocrisy without coming off as preachy or moralistic".[50] On behalf of Consequence of Sound, Jon Hadusek selected the song as an "essential" track of Pure Heroine regarding its narrative lyrics portraying Lorde's songwriting that was "beyond her years".[46] Time Out editor Nick Levine similarly lauded Lorde's "compelling" songwriting ability despite her young age at the time and praised the song's composition as "glorious".[45] AllMusic's Stephen Thomas Erlewine and The Independent's Andy Gill also picked "Tennis Court" as a standout track of Pure Heroine,[51][52] while John Murphy from musicOMH complimented the track as "impossible not to sing along to".[53] In a less enthusiastic review, Evan Sawdey of PopMatters considered the song a "drawback" that does not "[suit] her well".[54]
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Sloping and drainage. Proper slope of the subgrade is critical to allow water drainage away from the court. The ground should be reasonably level, preferably on the same plane or higher than adjacent land. (The ASBA advocates a finished subgrade 4 to 6 inches above the surrounding ground.) If your site has a high water table, you may also need to install an underground drainage system. Options include French drains, properly graded gravel-filled trenches, geocomposites, and perforated drain lines surrounded with stone.
The impetus to use some kind of a tie-breaking procedure gained force after a monumental 1969 struggle at Wimbledon between Pancho Gonzales and Charlie Pasarell. This was a 5-set match that lasted five hours and 12 minutes and took 2 days to complete. In the fifth set the 41-year-old Gonzales won all seven match points that Pasarell had against him, twice coming back from 0–40 deficits. The final score was 22–24, 1–6, 16–14, 6–3, 11–9 for Gonzales.
“Gerry,” he began, “you yourself have said you want to get better, and you are getting better.” There followed a series of rhetorical questions involving whether the Utah coach was getting better, anyone else my age was getting better — whether he himself was getting better. He swept his arm up toward the main courts and noted that some of the players in the midst of matches up there, men in their 40s or early 50s, had been on high school teams and college teams. Wasn’t I holding my own in playing doubles with them?

"Tennis Court" received positive reviews from music critics, with some highlighting the song's production and lyrical content. The single was a commercial success in Oceania, reaching number one in New Zealand and number 20 in Australia. It received platinum certification in Canada, double platinum certification in New Zealand and triple platinum certification in Australia. "Tennis Court" achieved modest chart success throughout Europe and North America, entering at low-tier positions on charts in Canada, Germany, the UK and the US. Joel Kefali directed the song's accompanying music video, a one shot in which Lorde stares to the camera throughout. "Tennis Court" was included on the set list of Lorde's Pure Heroine Tour (2013–14).
I was born in Colombia but lived all my life in Venezuela. I got a tennis scholarship at Oklahoma, where I got my bachelor degree in Psychology. I worked as head pro at Club Nautico De Maracaibo in Venezuela for 23 years where I made lots of friends and made a lots of great players! 8 players I have taught played tennis for colleges here in the USA. I am a real friendly person and very serious about tennis. Sincerely yours, Jose
Experienced players strive to master the conventional overhand serve to maximize its power and placement. The server may employ different types of serve including flat serve, topspin serve, slice serve, and kick (American twist) serve. A reverse type of spin serve is hit in a manner that spins the ball opposite the natural spin of the server, the spin direction depending upon right- or left-handedness. If the ball is spinning counterclockwise, it will curve right from the hitter's point of view and curve left if spinning clockwise.[75]
The drill went like this: He began feeding balls to me, rapidly, 20 or so a minute, to my left, to my right. They arrived close to my body at first, then farther away, then farther and harder. At the moment his racket was about to make contact with the ball, I did my split step, a reaction maneuver that entails hopping in place, spreading my legs shoulderwide and landing on my toes, ready. I stepped toward the net, taking the coming ball out of the air with a volley. Then I backpedaled once more to the T, volleying forehand, then backhand, forehand, backhand, on and on for three, four minutes — an eternity.

Mark Beede is a USPTA, PTR, and ATPCA certified tennis coach, manager, and educator. Born and raised in Maine, USA, Beede received his undergraduate degree from Brandeis University and law degree from the University Of Maine School Of Law. After practicing law for sixteen years, Mark changed careers to tennis and moved to Hawaii to work with the USTA–Hawaii Pacific section and the Hawaii Pacific Tennis Foundation. Beede then moved to Istanbul, Turkey, to work as director of coaching education and special projects with Gavin Hopper at his international academy of professional players and elite juniors. Beede has a grown daughter and ... View Profile
During the 19th century the Royal Tennis Court played a variety of different roles. It served as a theatre storeroom, a workshop and storage space, and a studio for the painters Antoine-Jean Gros and then Horace Vernet. It was listed as a national monument in 1848, then became a games room again under the Second Empire. Approaching the centenary of the oath, under the Third Republic, architect Edmond Guillaume was invited to restore it and convert it into a museum of the French Revolution. The architect used original engravings to reconstitute the spirit of the room, which had been modified and had deteriorated over the course of the century. The museum housed the statue of Bailly, busts of the most important signatories of the oath, and a monumental canvas by Luc-Olivier Merson, based on Jacques-Louis David's preparatory drawing. The museum was inaugurated on 20 June 1883 in the presence of Jules Ferry.
In order to assist litigants and attorneys using the Shreveport City Court, the court has created a Guide to Practice. This document is not meant to be a definitive statement of the law nor may it be cited to the court as support for any position. This document is merely a tool to be utilized to assist litigants and attorneys in access to the court. Legal citations are provided to assist litigants and attorneys in their quest to determine applicable law and procedure.
Another benefit of post-tensioning is that contractors can build larger slabs using thinner concrete sections, and they don't have to install control joints which can interfere with play. "In order to build a reinforced concrete court that has the same structural capabilities as a post-tensioned court, we would have to install so much steel and concrete that the reinforced court would actually cost more," says Kolkmann. "Also, a reinforced court needs control joints, usually at a spacing of 10 to 15 feet, including in the playing area. Eventually these joints may widen, as well as any cracks that appear."
Jeu de paume, an older version of modern-day tennis, was very popular in the 17th century and played an important part in the education of princes. As a royal sport, it was codified with etiquette and rituals. Although the Louvre Palace and the palaces at Vincennes, Fontainebleau, Compiègne and Saint-Germain all had their own tennis court, the Palace of Versailles had been without one since the room built under Louis XIII was destroyed in 1682 to ease the way for the building of the Grand Commun. Four years after Louis XIV and his Court moved to Versailles (in 1686), a new room was built for Nicolas Creté, Tennis Master to the King, a few hundred metres south-east of the Palace in the Old-Versailles district. Although built with private funds, it was frequented by Parisian tennis masters, the Court, and the royal family. According to the memoirs of Charles Perrault, Louis XIV's physician had recommended "jeu de paume" to him as a salutary hygienic exercise.
"Tennis Court" is a song recorded by New Zealand singer Lorde. She co-wrote the song with Joel Little, with production handled by the latter. Universal Music Group (UMG) released the song as the second single from her debut studio album Pure Heroine (2013) in Australia and New Zealand on 7 June 2013. On the same day, the label released an extended play (EP) of the same name containing three additional tracks throughout Europe. "Tennis Court" combines alternative pop, art pop and downtempo music with hip hop elements and incorporates minimalist production with simple synthesiser instrumentation and an electronic pulse. Inspired by Lorde's fresh insights into the music industry, the lyrics address Lorde's newfound fame and nostalgia for her hometown.

Mark Beede is a USPTA, PTR, and ATPCA certified tennis coach, manager, and educator. Born and raised in Maine, USA, Beede received his undergraduate degree from Brandeis University and law degree from the University Of Maine School Of Law. After practicing law for sixteen years, Mark changed careers to tennis and moved to Hawaii to work with the USTA–Hawaii Pacific section and the Hawaii Pacific Tennis Foundation. Beede then moved to Istanbul, Turkey, to work as director of coaching education and special projects with Gavin Hopper at his international academy of professional players and elite juniors. Beede has a grown daughter and ... View Profile

“Gerry,” he began, “you yourself have said you want to get better, and you are getting better.” There followed a series of rhetorical questions involving whether the Utah coach was getting better, anyone else my age was getting better — whether he himself was getting better. He swept his arm up toward the main courts and noted that some of the players in the midst of matches up there, men in their 40s or early 50s, had been on high school teams and college teams. Wasn’t I holding my own in playing doubles with them?
A break point occurs if the receiver, not the server, has a chance to win the game with the next point. Break points are of particular importance because serving is generally considered advantageous, with servers being expected to win games in which they are serving. A receiver who has one (score of 30–40 or advantage), two (score of 15–40) or three (score of love-40) consecutive chances to win the game has break point, double break point or triple break point, respectively. If the receiver does, in fact, win their break point, the game is awarded to the receiver, and the receiver is said to have converted their break point. If the receiver fails to win their break point it is called a failure to convert. Winning break points, and thus the game, is also referred to as breaking serve, as the receiver has disrupted, or broken the natural advantage of the server. If in the following game the previous server also wins a break point it is referred to as breaking back. Except where tie-breaks apply, at least one break of serve is required to win a set.
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