Throughout most of tennis history, racquets were comprised of laminated wood with smaller heads of about 65 square inches. It was not until the late 1960s that steel and aluminum started to be used by professional players like Jimmy Connors. Since the late 1980s, graphite and carbon fiber are the main materials chosen for crafting racquets that are used by professional and amateur players alike. These racquet materials allow the frame of the racquet to remain lightweight but stiff enough for increased control and stability.
Learning tennis to the extreme levels requires mental fortitude and athletic ability that only a few in this world can manage. But this should not deter you from learning this beautiful no matter what age group you belong to. You can become a pretty awesome tennis player that is satisfied with their game without spending countless hours on court or turning it into a full-time profession. It is just a matter of consistency, the right technique, and some willpower.
Another, however informal, tennis format is called Canadian doubles. This involves three players, with one person playing a doubles team. The single player gets to utilize the alleys normally reserved only for a doubles team. Conversely, the doubles team does not use the alleys when executing a shot. The scoring is the same as a regular game. This format is not sanctioned by any official body.
Most people aspire to get to this level without wanting to go full time on tennis. And it seems to be pretty achievable. You can expect a 1-year learning phase and slowly rise to a pretty good intermediate player by your 5th year. That being said, you must be willing to work hard and accept some criticism from peers. You must develop your technique either from paid coaching or from Youtube Lessons and practice them on the court.
The most common causes for that are actually the coaches themselves because they only correct technique rather than involve players in various drills that would take their attention off their body and make them focus on tasks like reading the incoming ball, improving timing and rhythm, improving the feel for the strokes, hitting targets on the court, working on tactics like making opponents run, looking to wrong foot the opponent, and so on.
Of the current four Grand Slam tournaments, the Australian and US Open use hard courts, French Open is played on clay, and Wimbledon, the only Grand Slam to have always been played on the same surface, is played on grass. The Australian Open switched from grass to hard courts in 1988 and in its early years the French championship alternated between clay and sand/rubble courts. The US Open is the only major to have been played on three surfaces; it was played on grass from its inception until 1974, clay from 1975 until 1977 and hard courts since it moved from the West Side Tennis Club to the National Tennis Center in 1978.
If you've tuned in to the Australian Open to catch the action but are feeling a little confused by what's happening on the court, don't fret. Tennis scoring can seem complicated at first, but once you get the hang of it, you'll feel like a seasoned fan. Here's a primer on scoring as the tournament heads toward the finals — so you can keep up with the matches!
I too began tennis as a retirement activity at age 65. I am now 74 and have found that I can only play with people at my age and level. I get nothing from watching a young, experienced player smash the ball past me and standing in front of every shot I hit, no matter where I aim it. If you would like to correspond and chat and compare notes further, I am at My name is Al Salganick.
The first year with Kirill was brutal. The prescribed continental grip felt awkward when I first began to serve. I thought I was turning my shoulder, properly, to prepare to hit a backhand, but wasn’t. I thought I was, properly, following through on my forehand, and wasn’t. It was the strangest thing. I had no sense at times of what my body was doing. And that, to some extent — a frustrating and at times embarrassing extent — continues. And it continues despite the incessant midplay appeals from Kirill to correct this, correct that. One of the things about having a coach is that no one has watched how I move more intently since I was a toddler.

Weights of a racket also vary between 7 ounces (200 g) unstrung and 12.6 ounces (360 g) strung. Until the 1980s, rackets weighted at "medium" were produced. "Heavy" rackets were produced during the height of the wood era (e.g. the 1960s), very sparingly. The "medium" weight is heavier than any of the rackets produced since it was discontinued by companies. Many professionals added weight to their rackets to improve stability. Many continue to do so. Pete Sampras added lead tape to make his racket have a 14 ounces (400 g) weight and Venus Williams is known for using a frame modified to be quite heavy, in terms of the recent times average. By contrast, Andy Roddick surprised many when he said he used a stock Pro Drive series model, series of racket which was light when compared with the rackets used by most top professionals. In both recreational and professional tennis, the trend has been away from heavy rackets and toward lighter rackets, despite the drawbacks from light rackets, such as increased twisting. Lawn tennis rackets originally flared outward at the bottom of the handle to prevent slippage. The rounded bottom was called a bark bottom after its inventor Matthew Barker. But by 1947, this style became superfluous.[clarification needed] More mass gives rackets "plow through", momentum that continues once the player has managed to get the racket into motion and which is more resistant to stoppage from the ball's momentum. This can give the perception that the racket produces shots with more power, although this is complicated by the typically slower stroke production. Higher mass typically involves a slower swing but more energy to execute the swing. More mass also provides more cushioning against ball impact shock, a source of injuries such as tennis elbow. However, high racket mass can cause fatigue in the shoulder area. Typically, it is safer for the body to have higher mass. More mass, additionally, provides more stability. It makes the racket more resistant to twisting forces and pushback. The drawbacks are that heavier rackets have lower maneuverability (reducing reaction time) and require more energy to move. As a racket gets heavier, the player finds it increasingly difficult to do fast reaction shots such as quick volleys and returns of serve. However, the additional mass can help with return of serve, in particular, by making the racket much more resistant to twist from a high-powered service. Light rackets have the additional drawback of making it easier for beginning players to use inappropriate wrist-dominant strokes, which often leads to injury. This is because poor stroke mechanics can be much easier to produce with a lightweight racket, such as in using one's wrist to mostly swing the racket. An extremely typical mistake beginning players make is to choke up heavily on the racket (to try to compensate for twist from a light racket, as well as too high racket angle upon impact) and use the wrist too much. The only professional well-known player to have had success with a strongly choked-up grip is Zina Garrison.

This is Kirill’s twice-a-week way of reminding me, however inadvertently, that I started playing tennis too late. Footwork is key to tennis, and taking short strides as you are approaching the ball sets in place the underpinnings of everything that might lead to a good shot. Short steps allow one to be neither too close to nor too far astride the ball. But short steps are not what you learn when you spend your childhood playing football and baseball and basketball.
By 1975, aluminum construction improvements allowed for the introduction of the first American "oversized" racket, which was manufactured by Weed. Prince popularized the oversize racket, which had a head size of approximately 110 square inches (710 cm2). Howard Head was able to obtain a broad patent for Prince, despite the prior art of the Bentley Fortissimo (the first oversize, made in Germany of fiberglass) and the Weed. The patent was rejected by Germany but approved in the USA. The popularity of the Prince aluminum oversize had the side effect of popularizing rackets having other non-standard head sizes such as mid-size 85–90 square inches (550–580 cm2) and mid-plus sizes 95–98 square inches (610–630 cm2). Fairly quickly, midsize frames began to become the most-used frames in the pro tours. Martina Navratilova popularized the midsize graphite racket, with her wins using the Yonex R-7, the first midsize graphite racket made by Yonex. Nearly at the same time, however, she said the "jumbo" rackets (midsize included) should be removed from the sport for making it easier. She said she would use them only because other players could, as they were tournament-legal. Fewer players chose to use oversize rackets, and some switched to midplus frames after their earliest career for more control. Fiberglass frames also had a brief period of limited popularity, making fewer inroads among top players than aluminum. Also, the earliest composites, such as the Head Competition series, used by Arthur Ashe, were made without graphite. These were more flexible than a typical early graphite composite but stiffer than wood, fiberglass, and aluminum.
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Then Kirill, to mix things up, lobbed one over my head. Move, think: I turned sideways, began running back using a crossover step, stopped, pointed up with my free right hand toward the descending ball, brought my racket back over my shoulder, contacted the ball with a wrist snap — and watched my overhead smash hook, decidedly, a long yard off the court.
"The biggest drawback of asphalt courts is not that they crack, for even a post-tensioned slab may crack from shrinkage or even develop minor structural cracking, but that the cracks continue to widen year after year," says Kolkmann. "I have seen asphalt courts with cracks as wide as 2 to 3 inches, making them a hazard to the players. The advantage with a post-tensioned slab is that it will not allow the crack to widen, but will keep it compressed to a very thin line."
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Throughout most of lawn tennis' history, most rackets were made of laminated wood, with heads of around 65 square inches (420 cm2). A small number of them were made of metal, such as a 1920s racket by Dayton.[15] Some, rarely, also had metal strings. In the late 1960s, Wilson popularized the T-2000 steel racket with wire wound around the frame to make string loops, after having purchased the design from René Lacoste, who produced the racket first in a more limited run. It was popularized by the top American player Jimmy Connors and was also, prior to Connors using it, by Billie Jean King in her early career. Many players said it lacked control but had more power, when compared with wood frames of the period. Connors used the rarer "firm" model that had additional throat welds to increase its stiffness. In 1968 Spalding launched an aluminum racket, called The Smasher. Aluminum, though lighter and more flexible than steel, was sometimes less accurate than wood. The biggest complaint, however, was that metal rackets caused strong cases of tennis elbow, especially the kind that had holes for the strings directly in the frame, rather than using an external wire wrapper, as in the T-2000. Because of that drawback in particular, most of the top players still preferred to use wooden frames.[16]
Tennis is a racket sport that can be played individually against a single opponent (singles) or between two teams of two players each (doubles). Each player uses a tennis racket that is strung with cord to strike a hollow rubber ball covered with felt over or around a net and into the opponent's court. The object of the game is to maneuver the ball in such a way that the opponent is not able to play a valid return. The player who is unable to return the ball will not gain a point, while the opposite player will.