Try a backhand stroke. The backhand is one of the easiest strokes to master. Grip the racquet with both hands and hold it out to the side. It should look similar to a baseball player at bat. When the ball approaches, hit it hard at a slight upward angle. This stroke hits the ball hard and is a great way to be sure that your ball will get into the service area.[9]
Steffi Graf is considered by some to be the greatest female player. Billie Jean King said in 1999, "Steffi is definitely the greatest women's tennis player of all time."[123] Martina Navratilova has included Graf on her list of great players.[123] In December 1999, Graf was named the greatest female tennis player of the 20th century by a panel of experts assembled by the Associated Press.[124] Tennis writer Steve Flink, in his book The Greatest Tennis Matches of the Twentieth Century, named her as the best female player of the 20th century, directly followed by Martina Navratilova.[125]
In the early 1980s, "graphite" (carbon fibre) composites were introduced, and other materials were added to the composite, including ceramics, glass fibre, boron, and titanium. Some of the earliest models typically had 20% or more fiberglass, to make them more flexible. Stiff rackets were typically not preferred by most players because of their familiarity with the comfortable softness of wood. These early models tended to be very flexible and not very powerful, although they were a power upgrade over wood and metal rackets. Wilson created the Jack Kramer Pro Staff, the graphite version of the wood racket of the same name extremely popular in the late 70's and early 80's. This was the origin of the extremely influential Wilson Pro Staff 85. Chris Evert's first graphite racket was this Jack Kramer version, which had 20% fiberglass. It was not a market success and she, along with everyone else, quickly replaced it with the stiffer Pro Staff 85, which had 20% kevlar. It used the same mold and had the same braided graphite, but offered a very noticeable improvement in power. The very popular Prince original graphite, an oversize in its most popular form, was also quite influential and used by many pros, especially as juniors. Jennifer Capriati and Monica Seles, for instance, used the Prince graphite to contest their influential Wimbledon match in 1991 that has often been hailed as the beginning of the power baselining game in the WTA, although that claim is somewhat hyperbolic and is, in large part, due to the mistaken impression that the players were hitting much harder when, in fact, the rackets were more powerful. However, the very large head size, when compared with the midsize and, especially, the old "standard" size, made it easier to produce power. The racket also had an open string pattern. The Prince "original" graphite name is rather a misnomer, as it went through some significant design adjustments over its lifetime. For instance, the truly original model had a reverse teardrop head shape, something no subsequent versions had. Stiffer composite rackets, when compared with the first and second generations of graphite composites, are the contemporary standard. The last wooden racket appearing at Wimbledon appeared in 1987, long after they were abandoned by practically all professionals.[17] Borg tried to stage a comeback with his standard wood racket, after his premature retirement, but it quickly ended in failure, as the standard wood was no match when placed against a stiff midplus graphite. It is also commonly argued that Chris Evert would have been able to beat Martina Navratilova during the latter's most dominant period if she had switched from her wood racket years sooner. Additionally, the last influential wooden racket, the Prince Woodie, had layers of graphite to increase its stiffness and was an oversize. It was used by Tommy Haas, Gabriela Sabatini, and quite a few others. It offered very little power but did offer much more surface area than a standard-size wooden frame. Sabatini found it helpful, as compared with smaller rackets, due to her production of heavy topspin. The only woman to beat Martina Navratilova in 1984, Kathleen Horvath, used the Prince Woodie, one of only six losses Navratilova suffered in a three-year stretch involving 260 matches.[18]
The string pattern of a tennis racquet plays a large part in how the ball is hit and what it does after impact. Racquets are typically strung in a grid with patterns of 16 by 18, 16 by 19, and 18 by 20. The first two options allow for a more open string pattern whereas the second pattern has strings that are more closely packed together, creating a variety of differences in how the ball reacts when hit. The type of racquet that you should choose largely depends on your tennis goals:

New Zealand singer-songwriter Lorde (born 1996 as Ella Yelich-O'Connor) was interested in performing live at local venues around her hometown Auckland during middle school years.[1] Scott Maclachlan, an A&R executive of Universal Music Group (UMG), discovered Lorde upon witnessing her performance at her school talent show when she was 12.[2] Maclachlan subsequently signed Lorde to UMG for development and paired her up with Joel Little, a songwriter and record producer.[3] In December 2011, the pair finished their first collaborative effort, a five-track extended play (EP) titled The Love Club. Lorde then self-released the EP for free download via her SoundCloud account in November 2012.[4]

A tie-break set is played with the same rules as the advantage set, except that when the score is tied at 6–6, a tie-break game (or tiebreaker) is played. Typically, the tie-break game continues until one side has won seven points with a margin of two or more points. However, many tie-break games are played with different tiebreak point requirements, such as 8 or 10 points. Often, a 7-point tie-breaker is played when the set score is tied at 6–6 to determine who wins the set. If the tiebreak score gets to 6-6, then whichever player to win the best of two points wins the set. [19]

Tennis is a racket sport that can be played individually against a single opponent (singles) or between two teams of two players each (doubles). Each player uses a tennis racket that is strung with cord to strike a hollow rubber ball covered with felt over or around a net and into the opponent's court. The object of the game is to maneuver the ball in such a way that the opponent is not able to play a valid return. The player who is unable to return the ball will not gain a point, while the opposite player will.