In the early 1980s, "graphite" (carbon fibre) composites were introduced, and other materials were added to the composite, including ceramics, glass fibre, boron, and titanium. Some of the earliest models typically had 20% or more fiberglass, to make them more flexible. Stiff rackets were typically not preferred by most players because of their familiarity with the comfortable softness of wood. These early models tended to be very flexible and not very powerful, although they were a power upgrade over wood and metal rackets. Wilson created the Jack Kramer Pro Staff, the graphite version of the wood racket of the same name extremely popular in the late 70's and early 80's. This was the origin of the extremely influential Wilson Pro Staff 85. Chris Evert's first graphite racket was this Jack Kramer version, which had 20% fiberglass. It was not a market success and she, along with everyone else, quickly replaced it with the stiffer Pro Staff 85, which had 20% kevlar. It used the same mold and had the same braided graphite, but offered a very noticeable improvement in power. The very popular Prince original graphite, an oversize in its most popular form, was also quite influential and used by many pros, especially as juniors. Jennifer Capriati and Monica Seles, for instance, used the Prince graphite to contest their influential Wimbledon match in 1991 that has often been hailed as the beginning of the power baselining game in the WTA, although that claim is somewhat hyperbolic and is, in large part, due to the mistaken impression that the players were hitting much harder when, in fact, the rackets were more powerful. However, the very large head size, when compared with the midsize and, especially, the old "standard" size, made it easier to produce power. The racket also had an open string pattern. The Prince "original" graphite name is rather a misnomer, as it went through some significant design adjustments over its lifetime. For instance, the truly original model had a reverse teardrop head shape, something no subsequent versions had. Stiffer composite rackets, when compared with the first and second generations of graphite composites, are the contemporary standard. The last wooden racket appearing at Wimbledon appeared in 1987, long after they were abandoned by practically all professionals. Borg tried to stage a comeback with his standard wood racket, after his premature retirement, but it quickly ended in failure, as the standard wood was no match when placed against a stiff midplus graphite. It is also commonly argued that Chris Evert would have been able to beat Martina Navratilova during the latter's most dominant period if she had switched from her wood racket years sooner. Additionally, the last influential wooden racket, the Prince Woodie, had layers of graphite to increase its stiffness and was an oversize. It was used by Tommy Haas, Gabriela Sabatini, and quite a few others. It offered very little power but did offer much more surface area than a standard-size wooden frame. Sabatini found it helpful, as compared with smaller rackets, due to her production of heavy topspin. The only woman to beat Martina Navratilova in 1984, Kathleen Horvath, used the Prince Woodie, one of only six losses Navratilova suffered in a three-year stretch involving 260 matches.
The first thing to consider when looking at tennis racquets is the frame. You have many options when it comes to size, shape, material, and so on. A racquet with a larger head will help you make more powerful swings, whereas a smaller head affords you more control. Can’t decide? A mid-sized head offers a little of both! For length, a longer racquet can offer better leverage per swing for more power, but a traditional-length racquet provides a better balance of power and control. When considering the weight of a racquet, remember that heavier tennis racquets offer more power and less control while lighter racquets yield more control at the expense of power. The shape of your racquet determines where the sweet spot is: Traditional oval racquets have a sweet spot at the bottom, and a teardrop racquet features a larger sweet spot overall.
Kirill is no longer a club pro full time. He has begun working in commercial real estate at an office in Manhattan, limiting his coaching to the weekends and a few nights a week. I meet him once in a while for lunch or dinner, and one night last month at the Oyster Bar, he was explaining to me how the cold calls he made to potential customers as he tried to get their business was a lot like tennis — how, when you are playing a new opponent, you have to feel him out, and how ultimately it is up to you to control the exchange as best you can and come away a winner. Most of all, he emphasized, you can never lose confidence.
To put it straight: With the Textreme Warrior series, Prince has achieved a truly impressive combination of power and control. All rackets in this series are really fun and can also be played at higher speeds. When the speed increases, it is the very good spin potential of these rackets that helps. Because otherwise our test players tended to overpower quickly
Hello my name is Paolo Losno, I've been a full time tennis coach for the last 6 years. I work with all age groups as well as level of play. I played tennis during high school for and at the university level, am certified with a Professional level of coaching from the PTR, USTA and the USPTA. Have been working the after school tennis programs at various elementary schools during the past 2 years as well as worked with competitive junior players as of late. ... View Profile
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In good condition showing a bit of scuffing to the frame and scuffing to the bumper guard from play, otherwise a nice solid racquet just needing some string. (No cracks to the frame) See pics! Can zoom in for detail. It has the original Yonex grip that is in good playable condition. (No cover) Returnable only if in unused original listing condition as pictured.
It is imagined that clock faces were used on court, with a quarter move of the hand to indicate a score of 15, 30, and 45. When the hand moved to 60, the game was over. However, in order to ensure that the game could not be won by a one-point difference in players' scores, the idea of "deuce" was introduced. To make the score stay within the "60" ticks on the clock face, the 45 was changed to 40. Therefore, if both players had 40, the first player to score would receive ten, and that would move the clock to 50. If the player scored a second time before the opponent is able to score, they would be awarded another ten and the clock would move to 60. The 60 signifies the end of the game. However, if a player fails to score twice in a row, then the clock would move back to 40 to establish another "deuce".
Two hands give the player more control, while one hand can generate a slice shot, applying backspin on the ball to produce a low trajectory bounce. Reach is also limited with the two-handed shot. The player long considered to have had the best backhand of all time, Don Budge, had a powerful one-handed stroke in the 1930s and 1940s that imparted topspin onto the ball. Ken Rosewall, another player noted for his one-handed backhand, used a very accurate slice backhand through the 1950s and 1960s. A small number of players, notably Monica Seles, use two hands on both the backhand and forehand sides.
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Another benefit of post-tensioning is that contractors can build larger slabs using thinner concrete sections, and they don't have to install control joints which can interfere with play. "In order to build a reinforced concrete court that has the same structural capabilities as a post-tensioned court, we would have to install so much steel and concrete that the reinforced court would actually cost more," says Kolkmann. "Also, a reinforced court needs control joints, usually at a spacing of 10 to 15 feet, including in the playing area. Eventually these joints may widen, as well as any cracks that appear."
Tennis balls were originally made of cloth strips stitched together with thread and stuffed with feathers. Modern tennis balls are made of hollow vulcanized rubber with a felt coating. Traditionally white, the predominant colour was gradually changed to optic yellow in the latter part of the 20th century to allow for improved visibility. Tennis balls must conform to certain criteria for size, weight, deformation, and bounce to be approved for regulation play. The International Tennis Federation (ITF) defines the official diameter as 65.41–68.58 mm (2.575–2.700 in). Balls must weigh between 56.0 and 59.4 g (1.98 and 2.10 oz). Tennis balls were traditionally manufactured in the United States and Europe. Although the process of producing the balls has remained virtually unchanged for the past 100 years, the majority of manufacturing now takes place in the Far East. The relocation is due to cheaper labour costs and materials in the region. Tournaments that are played under the ITF Rules of Tennis must use balls that are approved by the International Tennis Federation (ITF) and be named on the official ITF list of approved tennis balls.
The third and fourth tier of men's tennis tournaments are formed by the ATP World Tour 500 series, consisting of 11 tournaments, and the ATP World Tour 250 series with 40 tournaments. Like the ATP World Tour Masters 1000, these events offer various amounts of prize money and the numbers refer to the amount of ranking points earned by the winner of a tournament. The Dubai Tennis Championships offer the largest financial incentive to players, with total prize money of US$2,313,975 (2012). These series have various draws of 28, 32, 48 and 56 for singles and 16 and 24 for doubles. It is mandatory for leading players to enter at least four 500 events, including at least one after the US Open.
A game consists of a sequence of points played with the same player serving. A game is won by the first player to have won at least four points in total and at least two points more than the opponent. The running score of each game is described in a manner peculiar to tennis: scores from zero to three points are described as "love", "15", "30", and "40", respectively. If at least three points have been scored by each player, making the player's scores equal at 40 apiece, the score is not called out as "40–40", but rather as "deuce". If at least three points have been scored by each side and a player has one more point than his opponent, the score of the game is "advantage" for the player in the lead. During informal games, "advantage" can also be called "ad in" or "van in" when the serving player is ahead, and "ad out" or "van out" when the receiving player is ahead.
The Babolat Pure Drive Junior racket has a child-friendly yet professional design so that even the youngest can feel great. Thanks to the high-quality workmanship and the use of only first-class materials, a junior player will certainly have a lot of fun with this children’s tennis racket. The price-performance ratio of the Pure Drive Junior racquet is excellent.
Historians believe that the game's ancient origin lay in 12th century northern France, where a ball was struck with the palm of the hand. Louis X of France was a keen player of jeu de paume ("game of the palm"), which evolved into real tennis, and became notable as the first person to construct indoor tennis courts in the modern style. Louis was unhappy with playing tennis outdoors and accordingly had indoor, enclosed courts made in Paris "around the end of the 13th century". In due course this design spread across royal palaces all over Europe. In June 1316 at Vincennes, Val-de-Marne and following a particularly exhausting game, Louis drank a large quantity of cooled wine and subsequently died of either pneumonia or pleurisy, although there was also suspicion of poisoning. Because of the contemporary accounts of his death, Louis X is history's first tennis player known by name. Another of the early enthusiasts of the game was King Charles V of France, who had a court set up at the Louvre Palace.