The set is won by the first player (or team) to have won at least six games and at least two games more than his or her opponent. Traditionally, sets would be played until both these criteria had been met, with no maximum number of games. To shorten matches, James Van Alen created a tie-breaker system, which was widely introduced in the early 1970s. If the score reaches 6–5 (or 5–6), one further game is played. If the leading player wins this game, the set is won 7–5 (or 5–7). If the trailing player wins the game, the score is tied at 6–6 and a special tiebreaker game is played. The winner of the tiebreak wins the set by a score of 7–6 (or 6–7).

One thing all test players could quickly agree on: The Burn FST 99 can be swung very fast. With all shots the club could be swung and maneuvered extremely fast. This way, we always got the club into the optimum stroke position, even with fast rallies. The comfort is also surprisingly high, considering that the racquet with a frame hardness of 72RA is actually rather hard.
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By 1975, aluminum construction improvements allowed for the introduction of the first American "oversized" racket, which was manufactured by Weed. Prince popularized the oversize racket, which had a head size of approximately 110 square inches (710 cm2). Howard Head was able to obtain a broad patent for Prince, despite the prior art of the Bentley Fortissimo (the first oversize, made in Germany of fiberglass) and the Weed. The patent was rejected by Germany but approved in the USA. The popularity of the Prince aluminum oversize had the side effect of popularizing rackets having other non-standard head sizes such as mid-size 85–90 square inches (550–580 cm2) and mid-plus sizes 95–98 square inches (610–630 cm2). Fairly quickly, midsize frames began to become the most-used frames in the pro tours. Martina Navratilova popularized the midsize graphite racket, with her wins using the Yonex R-7, the first midsize graphite racket made by Yonex. Nearly at the same time, however, she said the "jumbo" rackets (midsize included) should be removed from the sport for making it easier. She said she would use them only because other players could, as they were tournament-legal. Fewer players chose to use oversize rackets, and some switched to midplus frames after their earliest career for more control. Fiberglass frames also had a brief period of limited popularity, making fewer inroads among top players than aluminum. Also, the earliest composites, such as the Head Competition series, used by Arthur Ashe, were made without graphite. These were more flexible than a typical early graphite composite but stiffer than wood, fiberglass, and aluminum.
Tennis is a great social sport and you can really learn a lot from playing with a partner. Find someone you can play weekly rounds with. Practice with one person gently tossing 25 to 40 balls over the net while the other returns them, then switch. You can also practice hitting the ball back and forth like you would in a game, or try playing a game.

Two hands give the player more control, while one hand can generate a slice shot, applying backspin on the ball to produce a low trajectory bounce. Reach is also limited with the two-handed shot. The player long considered to have had the best backhand of all time, Don Budge, had a powerful one-handed stroke in the 1930s and 1940s that imparted topspin onto the ball. Ken Rosewall, another player noted for his one-handed backhand, used a very accurate slice backhand through the 1950s and 1960s. A small number of players, notably Monica Seles, use two hands on both the backhand and forehand sides.
After this Incident 6 Month Later I injured my Left Ankle in The MRI Scan I found my ankle Ligament is tear so I visited the doctor After getting the report and checking my ankle doctor said you need to take rest couple of month after getting lot of ERP and NIDDLE THERAPY finally after 1.5 year later my ankle is now in that position so that I can play tennis.
Takes All Comers: Since most of the best tennis rackets run in the $200 range, we wanted to give the entry-level buyer something that would give them quality and control without ruining their budget. Prince rackets generally cater to a slightly less affluent clientele, but they still make incredible, versatile stuff for the price. Their original Red is a great place to start. No matter what kind of play style you have, the large sweet spot sunk into the friendly 105 square-inch head is a bargain at twice the price. The 9.9oz weight works well for anyone with tennis elbow or the casual player who needs to adjust to moving a racket around. Whether you are a baseliner needing speed and power or a net player that wants size, the Red is a very solid, if not particularly flashy or sexy choice. [Purchase: $80]
In 1926, promoter C. C. Pyle established the first professional tennis tour with a group of American and French tennis players playing exhibition matches to paying audiences.[26][37] The most notable of these early professionals were the American Vinnie Richards and the Frenchwoman Suzanne Lenglen.[26][38] Once a player turned pro he or she was no longer permitted to compete in the major (amateur) tournaments.[26]
3. They often take only private lessons and play points when they play on their own – which means that they do not have enough repetitions in situations without pressure where they could automate their technique. In other words, they don’t practice enough – they only get more information in private lessons and do not groove the strokes in practice.
By the 1960s, Budge and others had added Pancho Gonzales and Lew Hoad to the list of contenders. Budge reportedly believed that Gonzales was the greatest player ever.[99] Gonzales said about Hoad, "When Lew's game was at its peak nobody could touch him. ... I think his game was the best game ever. Better than mine. He was capable of making more shots than anybody. His two volleys were great. His overhead was enormous. He had the most natural tennis mind with the most natural tennis physique."[100]

New Zealand singer-songwriter Lorde (born 1996 as Ella Yelich-O'Connor) was interested in performing live at local venues around her hometown Auckland during middle school years.[1] Scott Maclachlan, an A&R executive of Universal Music Group (UMG), discovered Lorde upon witnessing her performance at her school talent show when she was 12.[2] Maclachlan subsequently signed Lorde to UMG for development and paired her up with Joel Little, a songwriter and record producer.[3] In December 2011, the pair finished their first collaborative effort, a five-track extended play (EP) titled The Love Club. Lorde then self-released the EP for free download via her SoundCloud account in November 2012.[4]
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A grip is a way of holding the racket in order to hit shots during a match. The grip affects the angle of the racket face when it hits the ball and influences the pace, spin, and placement of the shot. Players use various grips during play, including the Continental (The "Handshake Grip"), Eastern (Can be either semi-eastern or full eastern. Usually used for backhands.), and Western (semi-western or full western, usually for forehand grips) grips. Most players change grips during a match depending on what shot they are hitting; for example, slice shots and serves call for a Continental grip.[72]
Sloping and drainage. Proper slope of the subgrade is critical to allow water drainage away from the court. The ground should be reasonably level, preferably on the same plane or higher than adjacent land. (The ASBA advocates a finished subgrade 4 to 6 inches above the surrounding ground.) If your site has a high water table, you may also need to install an underground drainage system. Options include French drains, properly graded gravel-filled trenches, geocomposites, and perforated drain lines surrounded with stone.

During informal play of tennis, especially at tennis clubs in the U.S. (also in other English speaking countries), score announcements are frequently shortened with the use of abbreviations. For example, a score 15 is replaced with "five", or in some cases "fif". "Love" is often substituted to indicate "zero". Similarly, the scores of 30 and 40 may sometimes be spoken as "three" or "four" respectively. A score of 15-all may sometimes be announced as "fives." To further confuse score announcements, a score of 30-all (30–30) may often be called "deuce", and the following point referred to as "ad in" or "ad out" (or "my ad" or "your ad"), depending on which player (or team) won the point. The logic for this is that a 30-all score is effectively the same as deuce (40–40).[34]
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"Tennis Court" is written in the key of A minor and has a moderate tempo of 92 beats per minute. Lorde's vocal range on the song spans one octave, from G3 to G4.[22] As with Lorde's early releases, the song features a minimalist production, employing simple and sparse instrumentation.[23][24] It utilises reverbed synthesisers and an electronic pulse.[25] "Tennis Court" combines alternative pop, art pop and downtempo genres over hip hop-influenced beats.[26][27][28] Billboard editor Jason Lipshutz commented that "Tennis Court" conveys a darker aspect of pop music.[29] Nick Messtite from Forbes wrote that the track was reminiscent of The Postal Service's 2003 song "The District Sleeps Alone Tonight",[30] while Siân Rowe from NME compared the song to works by Lana Del Rey.[31] Clash's Joe Zadeh likened the electronic composition of "Tennis Court" to that of The xx's song "Together" from The Great Gatsby soundtrack (2013).[25]
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The score of a complete match may be given simply by sets won, or with the scores in each set given separately. In either case, the match winner's score is stated first. In the former, shorter form, a match might be listed as 3–1 (i.e. three sets to one). In the latter form, this same match might be further described as "7–5, 6–7(4–7), 6–4, 7–6(8–6)". (As noted above, an alternate form of writing the tiebreak score lists only the loser's score—e.g., "7–6(6)" for the fourth set in the example.) This match was won three sets to one, with the match loser winning the second set on a tiebreaker. The numbers in parentheses, normally included in printed scorelines but omitted when spoken, indicate the duration of the tiebreaker following a given set. Here, the match winner lost the second-set tiebreaker 7–4 and won the fourth-set tiebreaker 8–6.
Now that you know the basics about the game, it is time you start practicing with your tennis buddy. There is nothing like whacking a ball after a hard day at work to relieve stress. However, as a tennis coach, I do not encourage you to whack the ball because you will end up picking balls rather than rallying with your buddy. I strongly encourage that you start slow. You can start from the service line and then gradually progress to the baseline. So plan regular meetings with your tennis buddy.
It is all based on how comfortable you are with the racket. If the racket works well with you, it is a good one. Are you hitting too many frames? Too many nets? Too many outs? Too many faults? No? then your racket is fine. Can you hit a good strong shot without the need for any strenuous effort on your part? Can you smash with the racket without your arm getting sore? Can you hit a nice serve with the right spin? If yes, you have a good racket.

Ego/fear=childISH and constrictive. Playful is ChildLIKE allows freedom from ego which results in ease and natural power. The adult self can choose when to let go. When and where it is safe. A tennis court is a safe universe with lines and rules. Those rules allow play without anxiety. Embrace the parameters and have fun. You’ve already won the hardest part and it works! (OK..I still swear my arse off, in a garbled language somewhere between a Glasgow dockyard and Babylon when I miss, but that’s fun too).
Interestingly, Shapton does not come across as preoccupied with winning: a competitive swimmer who was not so competitive? Kirill is competitive. When he is leading a group session, he loves jumping in and crashing the net and punching remarkable volleys at impossible angles. And when it is just the two of us, and I hit that rare ball that forces him to make a bad shot or, even more rarely, get one past him for a winner, I know that during the next rally we have, he is going to crush the ball, hit a winner I never get close to, then quietly say sorry, as if he were working a little something out.

Never let it be said that tennis is not a manly game. Sure, there isn’t a lot of bone crunching going on, but there is Maria Sharapova and Daniela Hantuchova grunting and groaning the day away, which you can’t beat no matter how nice your stick is. Long maligned as a game for pale hemophiliacs in white shorts, tennis has come back in a big way and if you aren’t ready to play with some knowledge of the game and a good tennis racket you’re going to miss the bus. That’s why we’re here.

Van Alen called his innovation a "tiebreaker", and he actually proposed two different kinds or versions of it: best-five-of-nine-points tiebreaker and best-seven-of-12-points tiebreaker.[23] The first lasts a maximum of 9 points, and awards victory in the set to whichever player or team first reaches 5 points – even if the other player or team already has 4; the margin of victory can be a single point. Because this "9-point" tiebreaker must end after a maximum of 9 points, even if neither player or team has a 2-point (or greater) margin, Van Alen also called it a "sudden-death tiebreaker" (If and when the score reached four points all, both players faced simultaneous set point and/or match point.). This type of tiebreaker had its Grand Slam debut at 1970 US Open and was employed there until 1974. Apart from being used for 5 years at US Open it was also used 1 year at Wimbledon and for a while on the Virginia Slims circuit and in American Colleges.
To determine who serves first, you flip a coin or (more likely) spin a racket. Whoever wins the toss gets to decide one of four things: that she wants to serve first, that she wants to receive first, which side of the court she wants to start on (in which case, the opponent chooses who serves first), or that she wants to leave the choices up to her opponent.
"Tennis Court" received positive reviews from music critics, with some highlighting the song's production and lyrical content. The single was a commercial success in Oceania, reaching number one in New Zealand and number 20 in Australia. It received platinum certification in Canada, double platinum certification in New Zealand and triple platinum certification in Australia. "Tennis Court" achieved modest chart success throughout Europe and North America, entering at low-tier positions on charts in Canada, Germany, the UK and the US. Joel Kefali directed the song's accompanying music video, a one shot in which Lorde stares to the camera throughout. "Tennis Court" was included on the set list of Lorde's Pure Heroine Tour (2013–14).
The purpose of the Northwest Louisiana CTA is to make an positive impact on the tennis community by providing support and resources in the development of programs, events, leagues, and facilities promoting tennis as a lifetime healthful sport within North Louisiana to all ages and all skill levels. The NWLACTA will collaborate with the USTA and other associations and programs in the pursuit of these goals.