Upon completion of The Love Club, Lorde and Little quickly collaborated again, initially planning to release another EP. The pair recorded materials at Little's Golden Age Studios in Morningside and started writing "Tennis Court" in January 2013. They also recorded several additional tracks and ultimately decided to work on a full-length studio album instead. Little acted as the song's sole producer, using audio software Pro Tools. Songwriting for "Tennis Court" was different from how Lorde usually writes songs; by and large, she would have a lyric forming before going into the studio to record. For this song, Little and Lorde first wrote the music and the beat, and the lyrics were built on the instant instrumental. Speaking to Billboard in November 2013, Little appreciated Lorde's developed songwriting skills on "Tennis Court", for which the singer wrote the melody and the whole chorus, praising her as "an amazing songwriter".
You and your group of friends just started to play tennis just to have a little fun with it. You do not plan to compete or anything. Your main focus is to have fun and have a good time with your friends. You do not care about whether you have the proper technique or the form, you just want the ball to keep in play and have some long and exciting rallies with your group of friends.
In most professional play and some amateur competition, there is an officiating head judge or chair umpire (usually referred to as the umpire), who sits in a raised chair to one side of the court. The umpire has absolute authority to make factual determinations. The umpire may be assisted by line judges, who determine whether the ball has landed within the required part of the court and who also call foot faults. There also may be a net judge who determines whether the ball has touched the net during service. The umpire has the right to overrule a line judge or a net judge if the umpire is sure that a clear mistake has been made.
However, the opinions of our test team were quite mixed with other characteristics of the club. Some found the power great, others wished for more. Some liked the subdued feedback, others thought they couldn’t really feel the ball. But if you prefer modern tennis, have a fast swing movement and are looking for a tennis racket that is comfortable and forgiving, then you should definitely try the Burn FST 99!
Throughout most of lawn tennis' history, most rackets were made of laminated wood, with heads of around 65 square inches (420 cm2). A small number of them were made of metal, such as a 1920s racket by Dayton. Some, rarely, also had metal strings. In the late 1960s, Wilson popularized the T-2000 steel racket with wire wound around the frame to make string loops, after having purchased the design from René Lacoste, who produced the racket first in a more limited run. It was popularized by the top American player Jimmy Connors and was also, prior to Connors using it, by Billie Jean King in her early career. Many players said it lacked control but had more power, when compared with wood frames of the period. Connors used the rarer "firm" model that had additional throat welds to increase its stiffness. In 1968 Spalding launched an aluminum racket, called The Smasher. Aluminum, though lighter and more flexible than steel, was sometimes less accurate than wood. The biggest complaint, however, was that metal rackets caused strong cases of tennis elbow, especially the kind that had holes for the strings directly in the frame, rather than using an external wire wrapper, as in the T-2000. Because of that drawback in particular, most of the top players still preferred to use wooden frames.
Another benefit of post-tensioning is that contractors can build larger slabs using thinner concrete sections, and they don't have to install control joints which can interfere with play. "In order to build a reinforced concrete court that has the same structural capabilities as a post-tensioned court, we would have to install so much steel and concrete that the reinforced court would actually cost more," says Kolkmann. "Also, a reinforced court needs control joints, usually at a spacing of 10 to 15 feet, including in the playing area. Eventually these joints may widen, as well as any cracks that appear."
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