The line dividing the service line in two is called the center line or center service line. The boxes this center line creates are called the service boxes; depending on a player's position, he or she will have to hit the ball into one of these when serving. A ball is out only if none of it has hit the line or the area inside the lines upon its first bounce. All lines are required to be between 1 and 2 inches (25 and 51 mm) in width, with the exception of the baseline which can be up to 4 inches (100 mm) wide (although in practice it is often created the same width as the rest).
A break point occurs if the receiver, not the server, has a chance to win the game with the next point. Break points are of particular importance because serving is generally considered advantageous, with servers being expected to win games in which they are serving. A receiver who has one (score of 30–40 or advantage), two (score of 15–40) or three (score of love-40) consecutive chances to win the game has break point, double break point or triple break point, respectively. If the receiver does, in fact, win their break point, the game is awarded to the receiver, and the receiver is said to have converted their break point. If the receiver fails to win their break point it is called a failure to convert. Winning break points, and thus the game, is also referred to as breaking serve, as the receiver has disrupted, or broken the natural advantage of the server. If in the following game the previous server also wins a break point it is referred to as breaking back. Except where tie-breaks apply, at least one break of serve is required to win a set.
As it happens, I was reading a ruefully captivating new memoir called “Swimming Studies,” by a onetime contender for the Canadian Olympic team, Leanne Shapton, which explores how growing up a competitive swimmer formed her habits of heart and mind. Years later, her daily rhythms and life choices, her nightly dreams, her understanding of duration, pleasure, pain and reward, remain informed by her hours in the training pool. Swimming strokes carved the contours of her inner life, and it’s not at all clear she is thankful for that. Of course, Andre Agassi, in his memoir, writes of how the aloneness of singles tennis — the very thing that imparted to Kirill a kind of Emersonian self-reliance, as he understands it — just enlarged his loneliness. You never know.
I am one of the least coordinated people on the planet and so going to a municipal court to spend my spare time picking up balls has never really appealed. The whole ‘catching and throwing of balls’ thing is just something that completely passed me by as a kid; if you’re athletic enough, people tend to leave your absolutely chronic lack of motor control.
What an amazing time it would be to teach tennis lessons in Miami. As an ex college basketball player, and an advanced tennis student, I would love to teach some of the fundamentals of tennis to anyone who would like to play. Not only would it be a great chance to hit together, and have fun, but also a great way to get some exercise. Actually, my goal is to make it to the Olympics in 2016. But, why not make the most out of everything that it will take to get there? Let's play some tennis, and have a great time doing it, while making amazing friendships and lifelong memories! ... View Profile
We also slide the non-dominant hand from the throat down to the handle while we’re changing the grip. This somewhat complex move has to be practiced for a while so that it becomes quick and eventually completely subconscious. From there, we again let the racquet drop and fall behind us. Then we pull it through the familiar contact point and follow-through stages that we already mastered.
Grass courts are the fastest type of courts in common use. They consist of grass grown on very hard-packed soil, which adds additional variables: bounces depend on how healthy the grass is, how recently it has been mowed, and the wear and tear of recent play. Points are usually very quick where fast, low bounces keep rallies short, and the serve plays a more important role than on other surfaces. Grass courts tend to favour serve-and-volley tennis players.
The origins of the 15, 30, and 40 scores are believed to be medieval French. The earliest reference is in a ballad by Charles D'Orleans in 1435 which refers to quarante cinque ("forty-five"), which gave rise to modern 40. In 1522 there is a sentence in Latin "we are winning 30, we are winning 45". The first recorded theories about the origin of 15 were published in 1555 and 1579. However, the origins of this convention remain obscure.
We may collect IP addresses and/or automatic information for purposes of system administration and to report aggregate information to our advertisers and sponsors. An IP address is a number that is automatically assigned to your computer whenever you access the Internet. Our computers identify your computer by its IP address. When you request Web pages from the Site, our computers log your IP address.
The referee, who is usually located off the court, is the final authority about tennis rules. When called to the court by a player or team captain, the referee may overrule the umpire's decision if the tennis rules were violated (question of law) but may not change the umpire's decision on a question of fact. If, however, the referee is on the court during play, the referee may overrule the umpire's decision (This would only happen in Davis Cup or Fed Cup matches, not at the World Group level, when a chair umpire from a non-neutral country is in the chair).
Head size plays a very key role in a racket's performance characteristics. A larger head size very generally means more power and a larger "sweet spot". This is an area in the string bed that is partially more forgiving on off-center hits and which produces more ball-reflective power from string deformation, known as the trampoline effect. However, large head sizes can increase twisting, which makes off-center hits more difficult to control and can reduce a player's overall power production due to the playing compensating for the extra inherent power, typically with stiffer strings to reduce the increased string deformation of large heads. A smaller head size generally offers more control for many shots, particularly the service and groundstrokes aimed near the lines, but can lead to more shanks (wild misses, from hitting the frame or missing the sweet spot). This drawback is most common for professional players using single-handed topspin backhands, as well as for recreational and aged players at net. Shanking due to small racket head size is typically exacerbated by racket weight, which slows the reaction time, as well as, to a lesser degree, the racket's balance point. In professional tennis, currently-used racket head sizes vary between 95–115 square inches (610–740 cm2), with most players adopting one from 98–108 square inches (630–700 cm2). Rackets with smaller and larger head sizes, 85 and 120–137 square inches (550 and 770–880 cm2), are still produced but are not used by professionals currently. A very small number of professionals, such as Monica Seles, used 125 square inches (810 cm2) rackets during some point in their careers. Rackets with smaller heads than 85 square inches (550 cm2) have not been in production since the 1980s and rackets with larger head sizes than 137 square inches (880 cm2) are not currently legal for the sport, even though only elderly players typically choose to use rackets beyond 115 square inches (740 cm2) and it is nearly unheard-of for a serious player who is not elderly to choose a racket over 125 square inches (810 cm2). The WEED company, founded by Tad Weed, specializes in producing very large rackets, primarily for the elderly market. Rackets that are moderately higher in power production, moderately lower in weight, moderately larger in size, and which typically possess a slightly head-heavy balance are often called "tweener rackets." Rackets that have the smallest heads in current use, the highest weights in current use, and headlight or even balance are referred to as "players' rackets". Oversize rackets, typically 110 square inches (710 cm2) in size, were once pejoratively referred to as "granny sticks" but resistance to them being seen as illegitimate rackets for younger players decreased dramatically with the successful use of these rackets by a small number professionals such as Andre Agassi and Pam Shriver. Originally, even midsize frames (85 square inches (550 cm2)) were considered jumbo, and some top players, such as Martina Navratilova and Rod Laver said they should be banned for making the sport too easy. Later, these same professionals, including John McEnroe, signed a letter supporting a switch back to wood frames, or a limitation to the original standard size of approximately 65 square inches (420 cm2). Perhaps the last professional to use a standard-size racket in professional tennis was Aaron Krickstein, known for the strongly-contested match against Connors at the 1991 US Open. He used a Wilson Ultra-II standard-size graphite racket also used in the 1980s by the hard-hitting teen Andrea Jaeger. The first oversize, the fiberglass Bentley Fortissimo from Germany, was praised by racket designers but was considered too large to be taken seriously by the small number of players who were exposed to it.
We make reasonable efforts to display merchandise on this site as accurately as possible. Sometimes, however, factors including the display and color capabilities of your computer monitor, may significantly affect what you see on your screen. We are not responsible for the display of any color or detail of merchandise on your computer screen and do not guarantee that that such display is accurate. In addition, some featured merchandise may be available only in limited quantities or only while supplies last. Although we will attempt to remove any items that are out of stock from the site in a timely manner, display of an item on the site is not a guarantee that the item is currently available or that it will be available on a later date.
So, as you now know, learning to serve is essential as you learn to play tennis. Here’s how (for right-handed players — left-handed players should reverse the directions): Stand with both feet behind the baseline. Assume a sideways stance with your left foot pointed towards the right hand net post. Hold the ball in your left hand. Raise your left hand throwing the ball upwards about one foot in front of your left foot and about eighteen inches above your reach. While the ball in the air, move your racket back and up. Hit the ball at full stretch, with your racket arm straight, at the highest point possible. You are switching the weight of your body from your back foot to your front foot to give added strength to your shot.
Baseline Battler: This is top spin guru Rafael Nadal’s racket of choice. It has a very stiff body that allows for better ball feel on each hit and can help improve control for those looking to tighten up their game. Aero is still using their wing shaft design in conjunction with an 11.2oz weight for fast speed both from the back court and for quick exchanges at the net. It has a 100 square-inch head with a nice, big sweet spot which makes is good for players of any experience level. While you’ll be able to move the ball with precision, you can also really flatten it out. Even from deep in the back court you can rack up some fairly vicious speed to cut your opponent off at the knees. [Purchase: $194+]
Another theory is that the scoring nomenclature came from the French game jeu de paume (a precursor to tennis which initially used the hand instead of a racket). Jeu de paume was very popular before the French Revolution, with more than 1,000 courts in Paris alone. The traditional court was 90 ft (pieds du roi) in total with 45 ft on each side. When the server scored, he or she moved forward 15 ft. If the server scored again, he or she would move another 15 ft. If the server scored a third time, he or she could only move 10 ft closer.
In 1926, promoter C. C. Pyle established the first professional tennis tour with a group of American and French tennis players playing exhibition matches to paying audiences. The most notable of these early professionals were the American Vinnie Richards and the Frenchwoman Suzanne Lenglen. Once a player turned pro he or she was no longer permitted to compete in the major (amateur) tournaments.