Modular tile systems are the newest cushioning option on the market and offer the benefits of easy snap-together installation, long service life, and minimal maintenance. These systems feature interlocking, 12-inch square tiles made of high-impact polypropylene. The tiles rest slightly above the base surface to allow for better drainage and eliminate puddling. The downside of this cushioned comfort is the cost, which can run as high as high as $3 per square foot installed (or over $21,000 for a 60 x 120-foot tennis court).
I am a very well versed USPTA tennis pro. I provide tennis instruction at all levels and for all ages. Wether you are a beginner, intermediate, advance, recreatioinal, club or tournamnet player, I have the right lesson plan for you. I have taught tennis for over 25 years and taught a wide varierty of students. From public facilities and private clubs to high school and unniversities. Wether you are starting new, hit a plateu or simply want to improve your game, I will taylor your lesson plan specific to your needs. Classes can be given in either English or Spanish. ... View Profile
Why is your tennis racquet so important? It gives you an edge when playing if you use a tennis racquet that caters to your skillset. That is why it is so important to know what to look for when you are shopping for a new one. Such things as tennis racquet size should not be overlooked. There simply is no doubt that with the right tennis racquet in your hands it can really help you elevate your game to a much higher level.
It was a thought — being a tennis player — that first came to me five years ago when I was months from my 55th birthday. It wasn’t that I imagined I was going to become an athlete. I am a tennis fan, and I turn on ESPN and attend the United States Open each year with the understanding that the men and women I love to watch are, as they were not when I was a boy, a breed apart: selection for size and intense training and competition from early childhood is increasingly creating a sort of warrior class in sports. I wanted to become a very good recreational player. Someday.
You have my dad and brother’s name! Yes, I agree that tennis becomes very technical. I have also struggled with being too technique oriented with my kids. Thanks to Tomaz, I have used feel and imitation a lot more. I think many people in the US are plagued with the notion that faster is better. There is this sense that children should grow up faster and that learning more earlier is better. This turns into the mentality of winning now is better than playing as well as you can later. The two-handed backhand is an example of this. A younger player is much more likely to win with a two-handed backhand at a younger age. The one-hander is very difficult to learn and requires strength and very good footwork. But as I told a local pro I think there is also a downside. By using two forehands it allows people to “cheat” on both sides. My son recently switched to a one-hander just before turning thirteen. It’s hard but he now realizes how important footwork is and his forehand has gotten better because the steps he uses for his backhand have transferred to his forehand. But he is like an alien. He faces almost no other one-handed backhands in competition. So yes, tennis teaching becomes technical because the adult (pros) forget how to think like kids. They also tend to want success fast. Europeans seem to take a longer view. Maybe because their cultures are much older than the American culture.
The four Grand Slam tournaments are considered to be the most prestigious tennis events in the world. They are held annually and comprise, in chronological order, the Australian Open, the French Open, Wimbledon, and the US Open. Apart from the Olympic Games, Davis Cup, Fed Cup, and Hopman Cup, they are the only tournaments regulated by the International Tennis Federation (ITF). The ITF's national associations, Tennis Australia (Australian Open), the Fédération Française de Tennis (French Open), the Lawn Tennis Association (Wimbledon) and the United States Tennis Association (US Open) are delegated the responsibility to organize these events.
Tennis balls were originally made of cloth strips stitched together with thread and stuffed with feathers. Modern tennis balls are made of hollow vulcanized rubber with a felt coating. Traditionally white, the predominant colour was gradually changed to optic yellow in the latter part of the 20th century to allow for improved visibility. Tennis balls must conform to certain criteria for size, weight, deformation, and bounce to be approved for regulation play. The International Tennis Federation (ITF) defines the official diameter as 65.41–68.58 mm (2.575–2.700 in). Balls must weigh between 56.0 and 59.4 g (1.98 and 2.10 oz). Tennis balls were traditionally manufactured in the United States and Europe. Although the process of producing the balls has remained virtually unchanged for the past 100 years, the majority of manufacturing now takes place in the Far East. The relocation is due to cheaper labour costs and materials in the region. Tournaments that are played under the ITF Rules of Tennis must use balls that are approved by the International Tennis Federation (ITF) and be named on the official ITF list of approved tennis balls.
The stiffest graphite racket that has been sold is the Prince More Game MP, which is rated at 80 RA on the industry-standard Babolat measuring equipment. The Prince More series used two pieces (a top side and bottom side of the racket, or a left side and a right side) and no grommet strip. Prince had briefly used a design without a grommet strip in an early version of its "original" graphite oversize. The most famous user of a More series racket was Martina Navratilova, who returned to play doubles in her 40s, using a Prince More Control DB (a midplus) for her initial wins in the mixed doubles at Wimbledon and the Australian Open with Leander Paes. She had used the stiffer More Game MP prior. Navratilova later switched to a design by Warren Bosworth (the founder of Bosworth Tennis) which had a customized asymmetric grip and an unusual geometric head shape. Stiffer rackets typically offer more power and control at the expense of increased ball shock, which can lead to injury or tennis elbow aggravation. Typically, power and control are at odds. However, in the case of stiff rackets, less energy is dissipated by the racket deforming, transmitting it back to the ball. Control is improved because there is less deformation. However, a player's overall power level may decrease due to the need to moderate ball striking effort to reduce discomfort and even injury. Although known as a hard hitter in her younger years, in her 40s she was known more as a precision player who used finesse (and especially tactics) more than power. In fact, the last doubles partner she won a major with in mixed, Bob Bryan, remarked on how slow her serve was, despite how effective she was on the court. Navratilova also used string that was much softer than what anyone else on tour used (thick uncoated natural gut), to help compensate for the stiffness of her racket. The vastly higher injury rate in tennis (when compared with the wood era) is, in part, due to the increase in stiffness, both of the racket and of the strings.
The lines that delineate the width of the court are called the baseline (farthest back) and the service line (middle of the court). The short mark in the center of each baseline is referred to as either the hash mark or the center mark. The outermost lines that make up the length are called the doubles sidelines. These are the boundaries used when doubles is being played. The lines to the inside of the doubles sidelines are the singles sidelines and are used as boundaries in singles play. The area between a doubles sideline and the nearest singles sideline is called the doubles alley, which is considered playable in doubles play. The line that runs across the center of a player's side of the court is called the service line because the serve must be delivered into the area between the service line and the net on the receiving side. Despite its name, this is not where a player legally stands when making a serve.
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Simply put, kids combine the technical analytical instruction with their desire to be comfortable (which is nothing else than the body’s signal of telling you what is a natural way of generating force), while adults do everything in their power to perform the movement “correctly,” even when it doesn’t feel comfortable and it doesn’t produce any natural force.
Kirill Azovtsev, when I first met him four years ago, was 21, just a few years older than my oldest son. He was an assistant professional at the New York Athletic Club’s tennis facility in Pelham, N.Y., where I live. He had begun playing competitive tennis at 14 in St. Petersburg, Russia, where he was born, and arrived here a few years later with a tennis scholarship to attend Concordia College in Bronxville, where he was part of a team that reached the top 10 in Division II. Even before he graduated, in 2008, he had received the training to become a tennis instructor.
Basically, the main purpose of the game of tennis is to keep tennis ball play. When learning how to play tennis, the most common action that derails most beginners is the fixation of striking the ball with power instead of returning the ball with precision and control. To start off on the right track, practice controlling the ball first and as you progress you will be able to add speed as well as power to your game.
Wheelchair tennis can be played by able-bodied players as well as people who require a wheelchair for mobility. An extra bounce is permitted. This rule makes it possible to have mixed wheelchair and able-bodied matches. It is possible for a doubles team to consist of a wheelchair player and an able-bodied player (referred to as "one-up, one-down"), or for a wheelchair player to play against an able-bodied player. In such cases, the extra bounce is permitted for the wheelchair users only.
The White House tennis court has been a favorite outdoor recreation area for many presidents and their families. Tennis courts were first installed in the Theodore Roosevelt years on the near south side of the West Wing. The court was moved further south around 1910, to where the swimming pool is today, and were enjoyed by the Wilson daughters and Coolidge sons, among others. Florence Harding hosted the first women's tennis exhibition at the White House. And it was on the old White House tennis court that Calvin Coolidge, Jr. got a blister after playing without socks, which led to his death by blood-poisoning at the age of 16.
In the early 1980s, "graphite" (carbon fibre) composites were introduced, and other materials were added to the composite, including ceramics, glass fibre, boron, and titanium. Some of the earliest models typically had 20% or more fiberglass, to make them more flexible. Stiff rackets were typically not preferred by most players because of their familiarity with the comfortable softness of wood. These early models tended to be very flexible and not very powerful, although they were a power upgrade over wood and metal rackets. Wilson created the Jack Kramer Pro Staff, the graphite version of the wood racket of the same name extremely popular in the late 70's and early 80's. This was the origin of the extremely influential Wilson Pro Staff 85. Chris Evert's first graphite racket was this Jack Kramer version, which had 20% fiberglass. It was not a market success and she, along with everyone else, quickly replaced it with the stiffer Pro Staff 85, which had 20% kevlar. It used the same mold and had the same braided graphite, but offered a very noticeable improvement in power. The very popular Prince original graphite, an oversize in its most popular form, was also quite influential and used by many pros, especially as juniors. Jennifer Capriati and Monica Seles, for instance, used the Prince graphite to contest their influential Wimbledon match in 1991 that has often been hailed as the beginning of the power baselining game in the WTA, although that claim is somewhat hyperbolic and is, in large part, due to the mistaken impression that the players were hitting much harder when, in fact, the rackets were more powerful. However, the very large head size, when compared with the midsize and, especially, the old "standard" size, made it easier to produce power. The racket also had an open string pattern. The Prince "original" graphite name is rather a misnomer, as it went through some significant design adjustments over its lifetime. For instance, the truly original model had a reverse teardrop head shape, something no subsequent versions had. Stiffer composite rackets, when compared with the first and second generations of graphite composites, are the contemporary standard. The last wooden racket appearing at Wimbledon appeared in 1987, long after they were abandoned by practically all professionals. Borg tried to stage a comeback with his standard wood racket, after his premature retirement, but it quickly ended in failure, as the standard wood was no match when placed against a stiff midplus graphite. It is also commonly argued that Chris Evert would have been able to beat Martina Navratilova during the latter's most dominant period if she had switched from her wood racket years sooner. Additionally, the last influential wooden racket, the Prince Woodie, had layers of graphite to increase its stiffness and was an oversize. It was used by Tommy Haas, Gabriela Sabatini, and quite a few others. It offered very little power but did offer much more surface area than a standard-size wooden frame. Sabatini found it helpful, as compared with smaller rackets, due to her production of heavy topspin. The only woman to beat Martina Navratilova in 1984, Kathleen Horvath, used the Prince Woodie, one of only six losses Navratilova suffered in a three-year stretch involving 260 matches.
4. Most adults do not develop motor skills any more in separate training sessions. Even worse, some engage in fitness and similar health and wellness exercises that develop strength through isotonic exercises (lifting weights, pulling cords, etc.) rather than dynamic exercises like throwing medicine balls or situations where footwork, dynamic balance, and dynamic force are developed (soccer, volleyball, etc.).
Never let it be said that tennis is not a manly game. Sure, there isn’t a lot of bone crunching going on, but there is Maria Sharapova and Daniela Hantuchova grunting and groaning the day away, which you can’t beat no matter how nice your stick is. Long maligned as a game for pale hemophiliacs in white shorts, tennis has come back in a big way and if you aren’t ready to play with some knowledge of the game and a good tennis racket you’re going to miss the bus. That’s why we’re here.
But it’s not all downside, emotionally, a reckoning with limits and failure, that I’m feeling when I’m playing with Kirill. I have improved, and am proud of that. Being able to spend a couple of hours each week playing with a gifted athlete — and a natural teacher — is gratifying in and of itself. There is also, for instance, the patience I feel at times — patience, finally, as I near 60 — when Kirill and I are rallying for 8 or 9 or 12 or 15 shots. He has a way of sensing when I have found a rhythm (he has told me as much) and he will start hitting with more pace, and I will feed off it, and then he will alter his shots — topspin, flat, slice — to make me take the ball in different strike zones, high to low. And as I at once concentrate but do not overthink; move quickly but without restless tension; and am neither consumed with winning the rally nor anxious about losing it, I am as serene in a moment as I have ever been or am likely to be.
"Tennis Court" debuted atop the New Zealand Singles Chart dated 17 June 2013, becoming Lorde's second number-one single on the chart following "Royals", which reached the top position in March 2013. It spent 21 weeks on the chart, six of which in the top ten. The single received double platinum certification from Recorded Music NZ for exceeding sales of 30,000 copies in the country. "Tennis Court" was the 19th best-selling single of 2013 in New Zealand. In neighbouring Australia, the single peaked at number 20 on the ARIA Singles Chart and remained on the chart for 22 weeks. It was certified triple platinum by the Australian Recording Industry Association for shipments of 210,000 units.
Vibration dampeners (also sometimes known as "gummies") may be interlaced in the proximal part of the string array, to reduce the percussive sound of the ball hitting the strings and/or to reduce perceived vibration. They do not, however, reduce impact shock significantly, so they are of no safety value. Some professionals, such as Andrei Agassi, used rubber bands instead of specialized dampeners. Dampeners come in two main types. The first uses the two central main strings to hold it in place. The second is sometimes called a "worm" and it is woven between many of the main strings. Dampeners are nearly always placed very near the bottom of the racket string bed.
All sessions vary depending on the level of the player, the type of training program and the duration of the session. I divide them into 4 parts (order may vary as well): 1) power and control on the court: I design a plan so that the player focuses on developing his/her power and strength to be in control of his game from the moment he/she steps on the court. 2) drills 3) serves: I focus a lot on serve because it is very important for the player to build confidence on his/her serve. 4) sets: Depending on the level of the player, I like to arrange sets so they are used to pay attention to every point, and work on their conc ... View Profile
In 2001, the Australian Open replaced the deciding third set of mixed doubles with an eighteen-point "match tiebreak" (first to ten points and win by two points wins the match). Despite some criticism of the change by fans and former pros, the US Open and the French Open have since gone on to join the Australian Open in using the same format for mixed doubles. Wimbledon continues to play a traditional best of three match, requiring an advantage set for the third set.
Tournaments are often organized by gender and number of players. Common tournament configurations include men's singles, women's singles, and doubles, where two players play on each side of the net. Tournaments may be organized for specific age groups, with upper age limits for youth and lower age limits for senior players. Example of this include the Orange Bowl and Les Petits As junior tournaments. There are also tournaments for players with disabilities, such as wheelchair tennis and deaf tennis. In the four Grand Slam tournaments, the singles draws are limited to 128 players for each gender.
Wilson Jack Kramer Autograph Midsize Wood Racquet 4 1/2. Vintage graphite/wood mix frame. The frame and head are absolutely straight. It was strung briefly before. There is a very slight scuff on the head (see photo) which may have come from years of storage/handling or someone swinging the racquet, but that’s it. The grip and the rest of the racquet show the like-new condition of this collectable racquet.
"Australian doubles", another informal and unsanctioned form of tennis, is played with similar rules to the Canadian doubles style, only in this version, players rotate court position after each game. As such, each player plays doubles and singles over the course of a match, with the singles player always serving. Scoring styles vary, but one popular method is to assign a value of 2 points to each game, with the server taking both points if he or she holds serve and the doubles team each taking one if they break serve.
I wanted to do something difficult. That was why I wanted to try tennis. I had been good at things. I was still good at things. I didn’t need a hobby, or a way to meet people. I wanted to get better at something; it had been a long time since I’d sensed that. I wanted to learn something that I would not be learning by reading; I had been reading all of my life, had spent the better part of four decades reading for a living. I wanted, one last time, to struggle at something I could control because the last real struggles were going to be ones I could not.
"Tennis Court" is written in the key of A minor and has a moderate tempo of 92 beats per minute. Lorde's vocal range on the song spans one octave, from G3 to G4. As with Lorde's early releases, the song features a minimalist production, employing simple and sparse instrumentation. It utilises reverbed synthesisers and an electronic pulse. "Tennis Court" combines alternative pop, art pop and downtempo genres over hip hop-influenced beats. Billboard editor Jason Lipshutz commented that "Tennis Court" conveys a darker aspect of pop music. Nick Messtite from Forbes wrote that the track was reminiscent of The Postal Service's 2003 song "The District Sleeps Alone Tonight", while Siân Rowe from NME compared the song to works by Lana Del Rey. Clash's Joe Zadeh likened the electronic composition of "Tennis Court" to that of The xx's song "Together" from The Great Gatsby soundtrack (2013).
If you find reading boring then you can try watching free instructional videos on the internet. The best part about these videos is that it is made by tennis pros who are passionate about teaching tennis, so you won’t find the videos hard to understand. Between reading and watching the instructional videos, you will pick up important details about tennis on your own.
However, the opinions of our test team were quite mixed with other characteristics of the club. Some found the power great, others wished for more. Some liked the subdued feedback, others thought they couldn’t really feel the ball. But if you prefer modern tennis, have a fast swing movement and are looking for a tennis racket that is comfortable and forgiving, then you should definitely try the Burn FST 99!
Weights of a racket also vary between 7 ounces (200 g) unstrung and 12.6 ounces (360 g) strung. Until the 1980s, rackets weighted at "medium" were produced. "Heavy" rackets were produced during the height of the wood era (e.g. the 1960s), very sparingly. The "medium" weight is heavier than any of the rackets produced since it was discontinued by companies. Many professionals added weight to their rackets to improve stability. Many continue to do so. Pete Sampras added lead tape to make his racket have a 14 ounces (400 g) weight and Venus Williams is known for using a frame modified to be quite heavy, in terms of the recent times average. By contrast, Andy Roddick surprised many when he said he used a stock Pro Drive series model, series of racket which was light when compared with the rackets used by most top professionals. In both recreational and professional tennis, the trend has been away from heavy rackets and toward lighter rackets, despite the drawbacks from light rackets, such as increased twisting. Lawn tennis rackets originally flared outward at the bottom of the handle to prevent slippage. The rounded bottom was called a bark bottom after its inventor Matthew Barker. But by 1947, this style became superfluous.[clarification needed] More mass gives rackets "plow through", momentum that continues once the player has managed to get the racket into motion and which is more resistant to stoppage from the ball's momentum. This can give the perception that the racket produces shots with more power, although this is complicated by the typically slower stroke production. Higher mass typically involves a slower swing but more energy to execute the swing. More mass also provides more cushioning against ball impact shock, a source of injuries such as tennis elbow. However, high racket mass can cause fatigue in the shoulder area. Typically, it is safer for the body to have higher mass. More mass, additionally, provides more stability. It makes the racket more resistant to twisting forces and pushback. The drawbacks are that heavier rackets have lower maneuverability (reducing reaction time) and require more energy to move. As a racket gets heavier, the player finds it increasingly difficult to do fast reaction shots such as quick volleys and returns of serve. However, the additional mass can help with return of serve, in particular, by making the racket much more resistant to twist from a high-powered service. Light rackets have the additional drawback of making it easier for beginning players to use inappropriate wrist-dominant strokes, which often leads to injury. This is because poor stroke mechanics can be much easier to produce with a lightweight racket, such as in using one's wrist to mostly swing the racket. An extremely typical mistake beginning players make is to choke up heavily on the racket (to try to compensate for twist from a light racket, as well as too high racket angle upon impact) and use the wrist too much. The only professional well-known player to have had success with a strongly choked-up grip is Zina Garrison.
The Tennis Complex (6 courts) is located on the north-west side of campus just behind Dedeaux Baseball Field. Courts are open for general use during Lyon Center operating hours, however, Athletics and Physical Education take priority during the times listed below. Please note that courts are washed on Friday mornings and lights will remain on 30 minutes after Lyon Center closing. Two courts have been newly resurfaced with sport court material. This multi-purpose surface allows individuals to play tennis, soccer, floor hockey, volleyball and basketball.
So, if you are reading this one, you are probably a parent who sees some talent in their child and wants them to go pro when they grow up. It is essential for your child to start Tennis at a very young age, like close to 5-6 years. What this does is make the game instilled in their muscle memory forever. Tennis becomes a habit for them and it becomes second nature.
By 1975, aluminum construction improvements allowed for the introduction of the first American "oversized" racket, which was manufactured by Weed. Prince popularized the oversize racket, which had a head size of approximately 110 square inches (710 cm2). Howard Head was able to obtain a broad patent for Prince, despite the prior art of the Bentley Fortissimo (the first oversize, made in Germany of fiberglass) and the Weed. The patent was rejected by Germany but approved in the USA. The popularity of the Prince aluminum oversize had the side effect of popularizing rackets having other non-standard head sizes such as mid-size 85–90 square inches (550–580 cm2) and mid-plus sizes 95–98 square inches (610–630 cm2). Fairly quickly, midsize frames began to become the most-used frames in the pro tours. Martina Navratilova popularized the midsize graphite racket, with her wins using the Yonex R-7, the first midsize graphite racket made by Yonex. Nearly at the same time, however, she said the "jumbo" rackets (midsize included) should be removed from the sport for making it easier. She said she would use them only because other players could, as they were tournament-legal. Fewer players chose to use oversize rackets, and some switched to midplus frames after their earliest career for more control. Fiberglass frames also had a brief period of limited popularity, making fewer inroads among top players than aluminum. Also, the earliest composites, such as the Head Competition series, used by Arthur Ashe, were made without graphite. These were more flexible than a typical early graphite composite but stiffer than wood, fiberglass, and aluminum.
Balls wear out quickly in serious play and, therefore, in ATP and WTA tournaments, they are changed after every nine games with the first change occurring after only seven games, because the first set of balls is also used for the pre-match warm-up. As a courtesy to the receiver, the server will often signal to the receiver before the first serve of the game in which new balls are used as a reminder that they are using new balls. However, in ITF tournaments like Fed Cup, the balls are changed in a 9–11 style. Continuity of the balls' condition is considered part of the game, so if a re-warm-up is required after an extended break in play (usually due to rain), then the re-warm-up is done using a separate set of balls, and use of the match balls is resumed only when play resumes.
For little money you get a tennis racket of the best quality, with which a junior player can feel completely comfortable. The perfect combination of light frame and child-friendly dimensions makes the Pure Drive Junior racket the perfect racket for beginners as well as small professionals. The racquet has been specially designed to suit as many levels of play as possible.
What gives concrete the competitive edge? According to Fred Kolkmann, tennis and track division manager for Munson Inc., Glendale, Wis., concrete play courts are more durable, low maintenance, and crack resistant. Munson specializes in post-tensioned concrete and other types of play courts, and has won national and state awards for its concrete tennis court installations.
The official music video for "Tennis Court" was directed by Joel Kefali, who previously worked with Lorde on the accompanying video for her debut single "Royals". The video was filmed as a one-shot. Lorde appears in "black clothing, braided hair, and dark lipstick." It features Lorde staring into the camera as the song plays; she does not lip sync the lyrics except for the word "Yeah!" after each verse and during the chorus. The set lighting fades in and out throughout the video.
Tennis is a great social sport and you can really learn a lot from playing with a partner. Find someone you can play weekly rounds with. Practice with one person gently tossing 25 to 40 balls over the net while the other returns them, then switch. You can also practice hitting the ball back and forth like you would in a game, or try playing a game.
Help: Live scores service on FlashScores.co.uk offers tennis live scores, final results and tennis information from Australian Open, Wimbledon, US Open , Davis Cup and 2000+ ATP, WTA and ITF tennis competitions over the world. FlashScores.co.uk website offers live scores, final results, tournament draws, match summary, odds comparison and H2H stats. FlashScores.co.uk Live Centre (available for major tennis tournaments) provides detailed statistics (aces, double faults, serve percentage, break points) and match history point by point.
^ Lorde (2013). Lyrical Influences (VEVO LIFT): Brought to You By McDonald's (video). VEVO/YouTube. Event occurs at 1:49. Retrieved 22 November 2013. I think my writing process with "Tennis Court" was quite different to how I normally write. Generally, I will have a lyric forming before I go into the studio. But with this one, we wrote the music and beat before we wrote anything lyrically
Popular lawn tennis rackets vary primarily in length, weight, balance point, stiffness, beam thickness, string pattern, string density, and head size. They generally conform to unofficial standards that differ from past rackets. Currently, almost all adult rackets produced by companies such as Prince Sports, Yonex, Wilson, Babolat , Dunlop Sport, Head, Tecnifibre, and Völkl are made from a graphite composite. Those made from wood (the original racket frame row material), steel, fiberglass, aluminium are considered obsolete, although those materials are technically legal for play. Inexpensive rackets often have poor performance characteristics such as excessive flexibility and inadequate weight. No recent manufacturers use single-throated beams, although Prince tried to reintroduce the single throat design in the 1990s: the only professional who used one was Mirjana Lučić. Braided graphite rackets were considered high-end until recently and molded rackets have been the norm for some time. Molding is less expensive to manufacture and offer high stiffness. Dunlop started the transition away from aluminum based frames and popularised graphite-based racquets. Especially the Dunlop Max 200G model, once used to great effect by Steffi Graf and John McEnroe set the tone. Graphite-composite rackets are today's industry standard in professional tennis.
If you are beginner starting out you might have been scared by all the different complexities of the game and might have felt overwhelmed by them. You might be wondering that it takes a very very long time to achieve some sort of proficient level in this game. You will be surprised to know that tennis is a very awesome game and if you keep your level of play consistent and employ the right technique, you will be able to play at a pretty good level in no time at all compared to other sports.
I had learned to run by taking long, extended strides. Now, as a result, and even after hundreds of hours with Kirill, I still cannot roam the baseline and routinely get myself in the proper relation to a tennis ball to strike it at just the right arm’s length. It’s a lesson in why you read about pro tennis players who have been playing since age 6. It’s a lesson, too, in limitations.
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Basically, the main purpose of the game of tennis is to keep tennis ball play. When learning how to play tennis, the most common action that derails most beginners is the fixation of striking the ball with power instead of returning the ball with precision and control. To start off on the right track, practice controlling the ball first and as you progress you will be able to add speed as well as power to your game.
The head-light balance point is rarer in professional tennis than it once was, as the sport has converted to larger-headed rackets, stiffer rackets, stiffer strings, more western grips and accompanying stroke production, and more topspin. The head-light balance point is most optimal for the serve and volley style with a continental grip. Serve and volley is no longer a viable option for nearly all professionals as the mode of playing for most points in a match. Head-heavy rackets became popular, mainly with recreational players, primarily with the introduction of the Wilson ProFile widebody racket. The head-light balance makes volleys and serves easier to produce, while groundstrokes are less stable. The head-heavy balance makes groundstrokes more stable, which typically increases the player's comfort for swinging harder to add power, but makes serves and volleys more cumbersome. A head-heavy balance also puts more stress on the elbow and shoulder.
Head size plays a very key role in a racket's performance characteristics. A larger head size very generally means more power and a larger "sweet spot". This is an area in the string bed that is partially more forgiving on off-center hits and which produces more ball-reflective power from string deformation, known as the trampoline effect. However, large head sizes can increase twisting, which makes off-center hits more difficult to control and can reduce a player's overall power production due to the playing compensating for the extra inherent power, typically with stiffer strings to reduce the increased string deformation of large heads. A smaller head size generally offers more control for many shots, particularly the service and groundstrokes aimed near the lines, but can lead to more shanks (wild misses, from hitting the frame or missing the sweet spot). This drawback is most common for professional players using single-handed topspin backhands, as well as for recreational and aged players at net. Shanking due to small racket head size is typically exacerbated by racket weight, which slows the reaction time, as well as, to a lesser degree, the racket's balance point. In professional tennis, currently-used racket head sizes vary between 95–115 square inches (610–740 cm2), with most players adopting one from 98–108 square inches (630–700 cm2). Rackets with smaller and larger head sizes, 85 and 120–137 square inches (550 and 770–880 cm2), are still produced but are not used by professionals currently. A very small number of professionals, such as Monica Seles, used 125 square inches (810 cm2) rackets during some point in their careers. Rackets with smaller heads than 85 square inches (550 cm2) have not been in production since the 1980s and rackets with larger head sizes than 137 square inches (880 cm2) are not currently legal for the sport, even though only elderly players typically choose to use rackets beyond 115 square inches (740 cm2) and it is nearly unheard-of for a serious player who is not elderly to choose a racket over 125 square inches (810 cm2). The WEED company, founded by Tad Weed, specializes in producing very large rackets, primarily for the elderly market. Rackets that are moderately higher in power production, moderately lower in weight, moderately larger in size, and which typically possess a slightly head-heavy balance are often called "tweener rackets." Rackets that have the smallest heads in current use, the highest weights in current use, and headlight or even balance are referred to as "players' rackets". Oversize rackets, typically 110 square inches (710 cm2) in size, were once pejoratively referred to as "granny sticks" but resistance to them being seen as illegitimate rackets for younger players decreased dramatically with the successful use of these rackets by a small number professionals such as Andre Agassi and Pam Shriver. Originally, even midsize frames (85 square inches (550 cm2)) were considered jumbo, and some top players, such as Martina Navratilova and Rod Laver said they should be banned for making the sport too easy. Later, these same professionals, including John McEnroe, signed a letter supporting a switch back to wood frames, or a limitation to the original standard size of approximately 65 square inches (420 cm2). Perhaps the last professional to use a standard-size racket in professional tennis was Aaron Krickstein, known for the strongly-contested match against Connors at the 1991 US Open. He used a Wilson Ultra-II standard-size graphite racket also used in the 1980s by the hard-hitting teen Andrea Jaeger. The first oversize, the fiberglass Bentley Fortissimo from Germany, was praised by racket designers but was considered too large to be taken seriously by the small number of players who were exposed to it.
It’s also important to consider the size and shape of the racquet head. Oversized and mid-plus sized heads have larger sweet spots, making it easier to hit the ball with power, while smaller head sizes allow for greater control. Tear-drop shaped heads also provide a larger sweet spot, while traditional oval heads are valued for their feel and control.
This discussion is very timely for me because not only is it helping me stabilize my game, my daughter is now six and showing interest in “Playing tennis.” When she was four and five that meant catching and sweeping the ball along the floor with a racket back and forth with me, and now it means gripping the child’ racket her aunt brought her with both hands and hitting FH on the soft coach’s ball I toss or hit softly to her. She is a natural leftie, and I showed her a LH grip with two hands, but often she uses the RH backhand grip instead, and I just let her go with it. What is amazing to me is how good her balance is and how well she steps in and rotates through the stroke, pulling the racket through. She is already an accomplished dancer and seems to understand how her body moves, and that clearly helps, but her synthesis of gripping, which she was taught, swinging, which she imitates, and rotating with balance is just natural.
The concrete slab should be placed at a thickness of at least 4 inches, or 5 inches if subject to repeated freeze/thaw cycles. Munson's post-tensioned slabs are a minimum of 5 inches thick, with the post-tensioning cables spaced 3 feet apart. Before installing the slab, Munson lays down two layers of 10-mil polyethylene sheeting to reduce drag as the slab shrinks upon curing and to serve as a moisture-vapor barrier.
A game consists of a sequence of points played with the same player serving, and is won by the first side to have won at least four points with a margin of two points or more over their opponent. Normally the server's score is always called first and the receiver's score second. Score calling in tennis is unusual in that (except in tie-breaks) each point has a corresponding call that is different from its point value. The current point score is announced orally before each point by the judge, or by the server if there is no judge.
A difficult shot in tennis is the return of an attempted lob over the backhand side of a player. When the contact point is higher than the reach of a two-handed backhand, most players will try to execute a high slice (under the ball or sideways). Fewer players attempt the backhand sky-hook or smash. Rarely, a player will go for a high topspin backhand, while themselves in the air. A successful execution of any of these alternatives requires balance and timing, with less margin of error than the lower contact point backhands, since this shot is a break in the regular pattern of play.