The song's lyrics address Lorde's newfound fame. In an interview with Spotify in May 2013, Lorde explained that "Tennis Court" was inspired by her friends and daily life in her hometown Auckland, saying that the song was a summary of the events she witnessed during the previous months of her life. On her Tumblr account, she elaborated on the tennis court imagery as "a symbol of nostalgia" that embodied memories of her hometown. Lorde also elucidated that the track reflected the changes in her life at the moment, when she had ventured into a career in music. She also took inspiration from "how superficial people can be" after having perceived the mechanism of the music industry. Paul Lester from The Guardian opined that the song criticises the extravagant lifestyle of the rich and shares the same sentiment with "Royals" and "Million Dollar Bills" from The Love Club EP. During the songwriting process, Lorde explained that she took an interest to the works of American photographer Gregory Crewdson due to his depictions of human life, suburbia and sense of loneliness.
So, as you now know, learning to serve is essential as you learn to play tennis. Here’s how (for right-handed players — left-handed players should reverse the directions): Stand with both feet behind the baseline. Assume a sideways stance with your left foot pointed towards the right hand net post. Hold the ball in your left hand. Raise your left hand throwing the ball upwards about one foot in front of your left foot and about eighteen inches above your reach. While the ball in the air, move your racket back and up. Hit the ball at full stretch, with your racket arm straight, at the highest point possible. You are switching the weight of your body from your back foot to your front foot to give added strength to your shot.
The International Tennis Federation has tested the typical ball speed for various court surfaces, and classifies them as slow, medium, or fast. Generally, a hard concrete surface—with no surfacing system applied—provides a fast speed of play. If that's not your preference or you want a more resilient surface to reduce the impact on your joints, an abundance of acrylic color coatings and cushioning systems are on the market that allow you to adapt the court surface to your style of play.
"Tennis Court" is written in the key of A minor and has a moderate tempo of 92 beats per minute. Lorde's vocal range on the song spans one octave, from G3 to G4. As with Lorde's early releases, the song features a minimalist production, employing simple and sparse instrumentation. It utilises reverbed synthesisers and an electronic pulse. "Tennis Court" combines alternative pop, art pop and downtempo genres over hip hop-influenced beats. Billboard editor Jason Lipshutz commented that "Tennis Court" conveys a darker aspect of pop music. Nick Messtite from Forbes wrote that the track was reminiscent of The Postal Service's 2003 song "The District Sleeps Alone Tonight", while Siân Rowe from NME compared the song to works by Lana Del Rey. Clash's Joe Zadeh likened the electronic composition of "Tennis Court" to that of The xx's song "Together" from The Great Gatsby soundtrack (2013).
New Zealand singer-songwriter Lorde (born 1996 as Ella Yelich-O'Connor) was interested in performing live at local venues around her hometown Auckland during middle school years. Scott Maclachlan, an A&R executive of Universal Music Group (UMG), discovered Lorde upon witnessing her performance at her school talent show when she was 12. Maclachlan subsequently signed Lorde to UMG for development and paired her up with Joel Little, a songwriter and record producer. In December 2011, the pair finished their first collaborative effort, a five-track extended play (EP) titled The Love Club. Lorde then self-released the EP for free download via her SoundCloud account in November 2012.
An alternative tie-break system called the "Coman Tie-Break" is sometimes used by the United States Tennis Association. Scoring is the same, but end changes take place after the first point and then after every four points. This approach allows the servers of doubles teams to continue serving from the same end of the court as during the body of the set. It also reduces the advantage the elements (e.g. wind and sun) could give playing the first six points of a seven-point tiebreak on one side of the court.
Focus on ball trajectory and how cleanly you hit the ball – this will then allow your brain to merge the technical instruction you’ve been working on with the natural way of movement that creates effortless power – and eventually sound tennis techniques will emerge that simultaneously produce a lot of effortless power and allow easy adjustments to different situations in the game.
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Weights of a racket also vary between 7 ounces (200 g) unstrung and 12.6 ounces (360 g) strung. Until the 1980s, rackets weighted at "medium" were produced. "Heavy" rackets were produced during the height of the wood era (e.g. the 1960s), very sparingly. The "medium" weight is heavier than any of the rackets produced since it was discontinued by companies. Many professionals added weight to their rackets to improve stability. Many continue to do so. Pete Sampras added lead tape to make his racket have a 14 ounces (400 g) weight and Venus Williams is known for using a frame modified to be quite heavy, in terms of the recent times average. By contrast, Andy Roddick surprised many when he said he used a stock Pro Drive series model, series of racket which was light when compared with the rackets used by most top professionals. In both recreational and professional tennis, the trend has been away from heavy rackets and toward lighter rackets, despite the drawbacks from light rackets, such as increased twisting. Lawn tennis rackets originally flared outward at the bottom of the handle to prevent slippage. The rounded bottom was called a bark bottom after its inventor Matthew Barker. But by 1947, this style became superfluous.[clarification needed] More mass gives rackets "plow through", momentum that continues once the player has managed to get the racket into motion and which is more resistant to stoppage from the ball's momentum. This can give the perception that the racket produces shots with more power, although this is complicated by the typically slower stroke production. Higher mass typically involves a slower swing but more energy to execute the swing. More mass also provides more cushioning against ball impact shock, a source of injuries such as tennis elbow. However, high racket mass can cause fatigue in the shoulder area. Typically, it is safer for the body to have higher mass. More mass, additionally, provides more stability. It makes the racket more resistant to twisting forces and pushback. The drawbacks are that heavier rackets have lower maneuverability (reducing reaction time) and require more energy to move. As a racket gets heavier, the player finds it increasingly difficult to do fast reaction shots such as quick volleys and returns of serve. However, the additional mass can help with return of serve, in particular, by making the racket much more resistant to twist from a high-powered service. Light rackets have the additional drawback of making it easier for beginning players to use inappropriate wrist-dominant strokes, which often leads to injury. This is because poor stroke mechanics can be much easier to produce with a lightweight racket, such as in using one's wrist to mostly swing the racket. An extremely typical mistake beginning players make is to choke up heavily on the racket (to try to compensate for twist from a light racket, as well as too high racket angle upon impact) and use the wrist too much. The only professional well-known player to have had success with a strongly choked-up grip is Zina Garrison.
Of the current four Grand Slam tournaments, the Australian and US Open use hard courts, French Open is played on clay, and Wimbledon, the only Grand Slam to have always been played on the same surface, is played on grass. The Australian Open switched from grass to hard courts in 1988 and in its early years the French championship alternated between clay and sand/rubble courts. The US Open is the only major to have been played on three surfaces; it was played on grass from its inception until 1974, clay from 1975 until 1977 and hard courts since it moved from the West Side Tennis Club to the National Tennis Center in 1978.
But it’s not all downside, emotionally, a reckoning with limits and failure, that I’m feeling when I’m playing with Kirill. I have improved, and am proud of that. Being able to spend a couple of hours each week playing with a gifted athlete — and a natural teacher — is gratifying in and of itself. There is also, for instance, the patience I feel at times — patience, finally, as I near 60 — when Kirill and I are rallying for 8 or 9 or 12 or 15 shots. He has a way of sensing when I have found a rhythm (he has told me as much) and he will start hitting with more pace, and I will feed off it, and then he will alter his shots — topspin, flat, slice — to make me take the ball in different strike zones, high to low. And as I at once concentrate but do not overthink; move quickly but without restless tension; and am neither consumed with winning the rally nor anxious about losing it, I am as serene in a moment as I have ever been or am likely to be.
Tournaments are often organized by gender and number of players. Common tournament configurations include men's singles, women's singles, and doubles, where two players play on each side of the net. Tournaments may be organized for specific age groups, with upper age limits for youth and lower age limits for senior players. Example of this include the Orange Bowl and Les Petits As junior tournaments. There are also tournaments for players with disabilities, such as wheelchair tennis and deaf tennis. In the four Grand Slam tournaments, the singles draws are limited to 128 players for each gender.
Learn to play doubles tennis. Doubles tennis has two players on each side instead of one. You’ll use the wider court dimensions, but the rest of the scoring and rules remain the same. The big challenge for doubles tennis beginners is to learn how to interact with a teammate. Ask other tennis-playing friends to teach you the best strategies for doubles tennis.
Regardless of the number of games and sets in a match, players must continuously rotate sides when the total number of games in a set is an odd number. For instance, if the total game score in a set is 3-2, simply add 3 + 2 = 5. Since 5 is an odd number, the players rotate sides prior to starting the next game. If the total game score in a set is 5-1, simply add 5 + 1 = 6. Since 6 is an even number, the players do not rotate sides.
Well, as you learn to play tennis, you need to know how to continue the play. If the serve is successful, the play may continue with a variety of shots. Often, play will continue with groundstrokes. Groundstrokes are shots taken after the ball has bounced once. These can be hit with a forehand or a backhand stroke. The forehand stroke is made with the face of the racket, the palm of your hand facing the ball. The backhand stroke is made with the reverse side of the racket, with the palm of your hand facing away from the ball. To successfully learn to play tennis, you’ll need to learn to hit forehand shots; and to successfully learn to play tennis, you’ll need to learn to hit backhand shots.
In the early 1980s, "graphite" (carbon fibre) composites were introduced, and other materials were added to the composite, including ceramics, glass fibre, boron, and titanium. Some of the earliest models typically had 20% or more fiberglass, to make them more flexible. Stiff rackets were typically not preferred by most players because of their familiarity with the comfortable softness of wood. These early models tended to be very flexible and not very powerful, although they were a power upgrade over wood and metal rackets. Wilson created the Jack Kramer Pro Staff, the graphite version of the wood racket of the same name extremely popular in the late 70's and early 80's. This was the origin of the extremely influential Wilson Pro Staff 85. Chris Evert's first graphite racket was this Jack Kramer version, which had 20% fiberglass. It was not a market success and she, along with everyone else, quickly replaced it with the stiffer Pro Staff 85, which had 20% kevlar. It used the same mold and had the same braided graphite, but offered a very noticeable improvement in power. The very popular Prince original graphite, an oversize in its most popular form, was also quite influential and used by many pros, especially as juniors. Jennifer Capriati and Monica Seles, for instance, used the Prince graphite to contest their influential Wimbledon match in 1991 that has often been hailed as the beginning of the power baselining game in the WTA, although that claim is somewhat hyperbolic and is, in large part, due to the mistaken impression that the players were hitting much harder when, in fact, the rackets were more powerful. However, the very large head size, when compared with the midsize and, especially, the old "standard" size, made it easier to produce power. The racket also had an open string pattern. The Prince "original" graphite name is rather a misnomer, as it went through some significant design adjustments over its lifetime. For instance, the truly original model had a reverse teardrop head shape, something no subsequent versions had. Stiffer composite rackets, when compared with the first and second generations of graphite composites, are the contemporary standard. The last wooden racket appearing at Wimbledon appeared in 1987, long after they were abandoned by practically all professionals. Borg tried to stage a comeback with his standard wood racket, after his premature retirement, but it quickly ended in failure, as the standard wood was no match when placed against a stiff midplus graphite. It is also commonly argued that Chris Evert would have been able to beat Martina Navratilova during the latter's most dominant period if she had switched from her wood racket years sooner. Additionally, the last influential wooden racket, the Prince Woodie, had layers of graphite to increase its stiffness and was an oversize. It was used by Tommy Haas, Gabriela Sabatini, and quite a few others. It offered very little power but did offer much more surface area than a standard-size wooden frame. Sabatini found it helpful, as compared with smaller rackets, due to her production of heavy topspin. The only woman to beat Martina Navratilova in 1984, Kathleen Horvath, used the Prince Woodie, one of only six losses Navratilova suffered in a three-year stretch involving 260 matches.
The third and fourth tier of men's tennis tournaments are formed by the ATP World Tour 500 series, consisting of 11 tournaments, and the ATP World Tour 250 series with 40 tournaments. Like the ATP World Tour Masters 1000, these events offer various amounts of prize money and the numbers refer to the amount of ranking points earned by the winner of a tournament. The Dubai Tennis Championships offer the largest financial incentive to players, with total prize money of US$2,313,975 (2012). These series have various draws of 28, 32, 48 and 56 for singles and 16 and 24 for doubles. It is mandatory for leading players to enter at least four 500 events, including at least one after the US Open.
The other type of tiebreaker Van Alen introduced is the "12-point" tiebreaker that is most familiar and widely used today. Because it ends as soon as either player or team reaches 7 points – provided that that player or team leads the other at that point by at least two points – it can actually be over in as few as 7 points. However, because the winning player or team must win by a margin of at least two points, a "12-point" tiebreaker may go beyond 12 points – sometimes well beyond. That is why Van Alen derisively likened it to a "lingering death", in contrast to the 9-point (or fewer) "sudden-death tiebreaker" that he recommended and preferred.
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In 2001, the Australian Open replaced the deciding third set of mixed doubles with an eighteen-point "match tiebreak" (first to ten points and win by two points wins the match). Despite some criticism of the change by fans and former pros, the US Open and the French Open have since gone on to join the Australian Open in using the same format for mixed doubles. Wimbledon continues to play a traditional best of three match, requiring an advantage set for the third set.
When shopping for a tennis racquet, decide whether you are looking for a pre-strung racquet or an unstrung racquet. Pre-strung tennis racquets are a good choice for most beginner and intermediate players, as they are highly versatile and allow you to focus on the fundamentals without added complexity. Advanced players often prefer an unstrung racquet, which allows them to tailor the string type and tension to their swing and playing style.
The Babolat Pure Drive Junior racket has a child-friendly yet professional design so that even the youngest can feel great. Thanks to the high-quality workmanship and the use of only first-class materials, a junior player will certainly have a lot of fun with this children’s tennis racket. The price-performance ratio of the Pure Drive Junior racquet is excellent.